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  • Considering The Godfather is both critically acclaimed AND popularly beloved, the entire movie could be one long Crowning Moment.
    • Considering that the second film is often cited as SUPERIOR, it also counts.
    • The fact that Marlon Brando and Robert De Niro are the only actors ever to both win acting Oscars for playing the same character is pretty damn impressive as well.
  • The Baptism scene: interspersing the church ceremony of Michael becoming a literal godfather to his nephew, Michael has his troops wipe out the heads of all the Five Families. Michael's promises to renounce "the Devil" and "his works" underscore the grisly scenes of the bodies piling up.
  • Pretty much every scene of Clemenza providing advice to Michael or his underlings.
  • Moe Greene's rant at being disrespected by Michael in Las Vegas. "Son of a bitch, do you know who I am? I'm Moe Greene! I made my bones when you were going out with cheerleaders!"
  • At the hospital, when Michael realizes his father is getting set up for another hit, he's forced to improvise with little help until Enzo the Baker shows up paying his respects for Don Vito. Enzo offers willingly to help Michael ("For your father"), and Michael gets Enzo to stand with him in front of the hospital as a bluff to scare off the incoming assassins. Once the car of hitmen drive off, Enzo tries to light up a cigarette but can't because his hands are shaking too much. Michael helps with the lighter, and notices with some awe that his own hands aren't trembling.
  • Michael's meeting with Sollozzo under McCluskey's bodyguard at that small family restaurant. And how the meeting ends.
    • Try the veal. It's the best in the city.
  • The apologetic way Neri closes the door between Michael and Kay as Michael receives Clemenza and other mafia lieutenants. It makes Kay realize Michael just lied to her about the Family business. But it's also the best way to end the film.
  • For Fredo, the fact that he'd been banging cocktail waitresses two at a time! during his stay in Vegas.
  • It's bad news for the horse, but the way the Corleones handle the corrupt movie producer (and pedophile) Woltz by discreetly placing the head of Woltz's prized race horse Karthoum in Woltz's bed. The fact the mobsters were capable of doing such an act quietly and efficiently demonstrates some serious skills. Not to mention how far they were willing to go to punish Woltz.
  • The last 15 minutes or so of The Godfather are pure awesome for Michael Corleone. While he's standing to be named the godfather for his sister's baby, and the priest is asking him if he's a good Catholic who rejects Satan in all his devices, Michael calmly says yes while, at the exact same moment, his men all over the city and the country are pulling off a series of assassinations on every opposing mob leader or power broker that stand in his way. Then he goes up to his brother-in-law Carlo, whose baby he was just named godfather for, and tells him that he knows that Carlo was involved in the death of Michael's older brother and a conspiracy against Michael's family. He pretends he's putting Carlo on a bus, but actually sends him off to be killed. And then he calmly denies it when his hysterical sister accuses him of doing this and uses every ounce of his wife's trust to tell her a stone cold lie and make her believe he had nothing to do with it, if only briefly. Magnificent Bastard.
    • More concise, and yet more devastating, in The Godfather Part II. New Year's Day in Havana, Michael at a celebration with his brother Fredo, the brother who secretly (and unintentionally) nearly had him assassinated. In the middle of the roaring party, Michael whispers some travel arrangements in Fredo's ear, then delivers the Kiss of Death to him full on the lips and grabs him without letting go. "I know it was you, Fredo. You broke my heart. You broke my heart."
    • The whole story of Vito Corleone's rise to becoming the Godfather is basically just one Crowning Moment of Awesome after another, culminating in this line: "My father's name was Antonio Andolini...and this is for you!"
  • In the first film, the murders of Solozzo and Captain McKluskey by Michael, sending the formerly squeaky clean war hero down the same criminal path as the rest of his family. It was such a CMOA that it convinced Paramount, who had been looking for any reason to fire Francis Ford Coppola (and Al Pacino) and get another director, that he might actually know what he was doing.
  • One word:

 "Nothing."

  • In a scene only shown in the Saga edition, Michael's cronies have tracked down his treacherous bodyguard Fabrizzio. He is shown getting into his car, turning the ignition key--and the car explodes, killing him the way he killed Michael's first wife.
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