FANDOM


Farm-Fresh balanceYMMVTransmit blueRadarWikEd fancyquotesQuotes • (Emoticon happyFunnyHeartHeartwarmingSilk award star gold 3Awesome) • RefridgeratorFridgeGroupCharactersScript editFanfic RecsSkull0Nightmare FuelRsz 1rsz 2rsz 1shout-out iconShout OutMagnifierPlotGota iconoTear JerkerBug-silkHeadscratchersHelpTriviaWMGFilmRoll-smallRecapRainbowHo YayPhoto linkImage LinksNyan-Cat-OriginalMemesHaiku-wide-iconHaikuLaconic
File:30505n.jpg
"Try the cock, Albert. It's a delicacy, and you know where it's been."
Georgina

Squick-laden, Nausea Fuel-laden off-beat 1989 British drama/romance/comedy/arthouse film full of Scenery Porn and gorgeous symbolism, directed by Peter Greenaway and starring Richard Bohringer, Michael Gambon, Helen Mirren and Alan Howard in the titular roles.

English mafia don Albert Spica is the owner of the high-class La Hollandais restaurant, of which Richard Borst is the head chef. Georgina is Albert's wife. Every night, Albert flies into rages and forces other patrons out of the restaurant, in addition to subjecting his enemies to sadistic tortures (such as rolling around in dog manure). This is to Georgina's chagrin. Georgina's eye eventually catches Michael, a shy bookshop owner who regularly dines at the restaurant. With the help of the restaurant staff, the two carry out a torrid affair, sneaking off to the kitchen or women's bathroom to have sex whenever they can. Unfortunately, Albert finds out, and goes to Michael's bookshop and interrogates him, force-feeding him pages of his book until he dies. When Georgina finds out, she, and all the other patrons whom Albert has brutalized, take revenge by having Richard cook Michael's body and serve it to Albert, forcing him to eat it at gunpoint before shooting him in the head. Lovely.

Notable for its sets; consisting solely of gray back-alley, green kitchen, red dining room, white women's bathroom and Richard's bookshop, in which the outfits of the characters change color to conform to; and for its NC-17 rating. Theories regarding the film's meaning are diverse; but the popular consensus seems to be that it is a metaphor for the oppression of the poor by the rich and by governments; with Richard representing the poor masses and Albert the oppressive upper class. More particularly, it is popularly regarded as criticism of the tax laws of Margaret Thatcher.

Tropes used in The Cook, the Thief, His Wife & Her Lover include:


Community content is available under CC-BY-SA unless otherwise noted.