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  • Before making a single edit, Tropedia EXPECTS our site policy and manual of style to be followed. Failure to do so may result in deletion of contributions and blocks of users who refuse to learn to do so. Our policies can be reviewed here.
  • All images MUST now have proper attribution, those who neglect to assign at least the "fair use" licensing to an image may have it deleted. All new pages should use the preloadable templates feature on the edit page to add the appropriate basic page markup. Pages that don't do this will be subject to deletion, with or without explanation.
  • All new trope pages will be made with the "Trope Workshop" found on the "Troper Tools" menu and worked on until they have at least three examples. The Trope workshop specific templates can then be removed and it will be regarded as a regular trope page after being moved to the Main namespace. THIS SHOULD BE WORKING NOW, REPORT ANY ISSUES TO Janna2000, SelfCloak or RRabbit42. DON'T MAKE PAGES MANUALLY UNLESS A TEMPLATE IS BROKEN, AND REPORT IT THAT IS THE CASE. PAGES WILL BE DELETED OTHERWISE IF THEY ARE MISSING BASIC MARKUP.

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  • The climax of "Touch Me", especially when some cast members can be seen standing on one of the spare chairs in the on-stage audience, doing the "Touch Me" dance.
    • Hell, the fact that there is an on-stage audience is awesome enough.
  • The musical score is compelling and the lyrics are profound and full of depth. But particularly "Totally Fucked".
  • The end part of "Totally Fucked" when Melchior is dragged off to a reformatory whilst being blamed for the suicide of his best friend.
Cquote1

 Herr Knochenbruch: "Melchior Gabor, for the LAST time, did you write this?"

(A beat)

Melchior: " YES!"

Cquote2


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