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Illustration by either Heinrich Leutemann or Carl Offterdinger 

 "But scarcely had she touched the spindle when the magic decree was fulfilled, and she pricked her finger with it. And, in the very moment when she felt the prick, she fell down upon the bed that stood there, and lay in a deep sleep."

Once upon a time, a little girl was born that was exceptionally beautiful. Due to jealousy, a wicked witch wanted her dead. She ended up being raised in fosterage in the forest by magical midgets, but eventually the queen found a way to poison her and put her in a coma resistant to aging. Eventually, Prince Charming showed up, kissed the girl and woke her up, and slew the evil witch.

But, then, this article isn't about "Snow White and The Seven Dwarfs"...

A king and queen, very desirous of a child, finally succeed in giving birth to a little girl, and invite all the fairies they can think of to celebrate. Unfortunately, they forget or otherwise ignore one, who shows up at the christening anyway and curses the girl to one day prick her finger on a spindle and die. One of the other fairies succeeds in softening the curse, to merely a long sleep.

The king and queen order all the spindles in their kingdom to be burnt, but manage to miss one in the castle itself, towards which the teenaged princess innocently makes a beeline. She finds a woman sitting there spinning, who in most versions is the evil fairy in disguise, but in some she is simply an innocently unknowing old lady. The princess is fascinated and asks if she can try spinning. Predictably, the moment she picks it up, the curse comes into effect, and she, accompanied by the rest of the castle, falls into a deep sleep. Many years later, a prince (sometimes a king) makes his way into the now-overgrown sleeping castle, and finds the princess. He wakes her (iconically with a kiss) and they fall in love and marry, having kiddos even.

.... Unfortunately, the King/Princes's step-mother, who has ogre blood, is jealous of the prince's new wife, and when the prince leaves on matters of state, she demands to have the princess' young children, and then the princess herself, killed and cooked for her supper. The cook, however, manages to hide the unfortunate family and fool the queen with various cooked animals instead. This all comes to naught when the queen hears the princess and her kids at the cook's house, however, and she prepares a big pot of nasty, venemous creatures to kill them. Fortunately, the prince arrives home just in time, and the queen falls into the pot of nasties, dying a Karmic Death and leaving everyone to live Happily Ever After.

(In an alternate ending, the queen, thinking wife and kids are safely dead, realizes her son may not be so happy about that and tries to pass herself off as the princess. The prince works it out by asking the marriage bed. Queen is duly put to death and prince is reunited with princess and kids.)

In most modern versions, starting with the Grimms', the second part of the story (in which the princess must cope with the jealous queen) is omitted. Actually, the Grimms included the German version of this part of the story as a separate tale, ending with the king sentencing his own mother/stepmother to death.

Versions preceding Charles Perrault's, like "Sun Moon and Talia", replace the prince with an already married king. In these versions, he rapes the princess while she lies sleeping and she gives birth to twins before waking up (when one of the babies sucks the splinter out of her finger). The cannibalistic queen in this case is the king's wife. In another, even darker variant, when the princess wakes and realizes what had been done to her, she's so enraged that she eats the babies.

For the Disney version, see here.

The tale itself has been adapted in many versions, one of them being an episode of Grimms' Fairy Tales Classics and named "Princess Briar Rose".

"Sleeping Beauty" and its variations contain the following tropes:

The Grimms' Fairy Tales Classics version contains the following tropes:

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  • Adorkable: The King is made of this trope.
  • Ascended Extra: Princess Briar Rose's parents.
  • Because Destiny Says So: Pretty much everything aligns for the Prince to find Briar Rose's kingdom, then her castle, and THEN her. When the Prince and Rose actually meet and speak to one another, they're shown to be pretty much made for each other.
  • The Big Damn Kiss: Of course!
  • Bumbling Dad: The King adores his daughter, but is this to her rather clearly.
  • Canon Foreigner: The Prime Minister, who's there to be a Straight Man to the King's childish antics.
  • Daddy's Girl: Briar Rose, yes.
  • Elegant Classical Musician: As said below, Briar Rose is very good at playing the lyre. It's a bit of a plot point here: as the Prince approaches her castle, he hears a beautiful song and has a sort-of magical vision of Rose playing as she calls out to him in his mind. He then vows to wake up Rose from her sleep.
  • Girl in the Tower: Briar Rose's quarters are atop of one of her palace's towers.
  • Hair of Gold: Briar Rose is a sweet, soft-spoken, very polite blonde girl.
  • Lonely Doll Girl: At age 16, Briar Rose still has dolls to keep her company. Her mother even lampshades it.
  • Lonely Rich Kid: Briar Rose is this as well, since she's depressed over having all the riches she could ever want but being unable to leave her tower.
  • Luminescent Blush: The Prince turns scarlet when he sees the sleepy and pretty Briar Rose, and when she wakes up she happily blushes back at him.
  • Karmic Death: Averted for the Evil Fairy: at the end she merely transforms into a bat and flies away, frustrated at the ultimate failure of her plans.
  • Let Her Grow Up Dear: The Queen tells this to her Bumbling Dad husband after Rose marries her Prince.
  • May-December Romance: The King looks notoriously older than the Queen.
  • Non-Idle Rich: Briar Rose is a talented musician, writes her own songs and is even shown to be a bit obsessed with songwriting. Again, it's a plot point: the Evil Fairy easily gets her to prickle her finger with a spinner via disguising herself as a seamstress and roping the very sheltered Rose into spinning wool for her in exchange for helping her finish a melody that she cannot write any longer.
  • Parents as People: The Royal Couple is clearly unhappy to keep Briar Rose isolated, but feel that they have no choice.
  • Pragmatic Adaptation: The episode covers just the first part of the tale, not the sequel with the Wicked Stepmother and her cannibalistic desires.
  • Psychic Powers: The Prince hears a gentle voice calling out to him in his mind as he stands in front of Briar Rose's castle. The voice is actually Briar Rose's, since she apparently can speak to him through the magical equivalent of a Psychic Link; it's kinda confirmed when she wakes up and tells him that she has been waiting for him through that century.
  • Sliding Scale of Idealism Versus Cynicism: Since this series is geared towards kids, their rendition of the tale is logically among the most idealistic ones.
  • Snow Means Love: The Prince shows up and wakes up Rose during a snowy day.
  • True Love's Kiss: Subverted! What wakes up Briar Rose is not the Prince's kiss, but simply his arrival and how he prickles one of his fingers on a thorn. They do get a very cute kiss soon, however.
  • Women Are Wiser: The Queen is clearly better adjusted than the King.
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