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"We're not anti-boy, we're pro-girl."—Molly Neuman
Riot Grrrl was an underground musical movement popular in The Nineties that combined speedy Hardcore Punk with lyrics addressing feminist issues - rape, domestic abuse, sexuality, female empowerment, and other important matters.
The movement coalesced around the Seattle-Olympia metropolitan area in Washington, largely due to its extensive DIY infrastructure (and The Evergreen State College in Olympia), with its roots in the unorganised collective outrage drawn by the Anita Hill judiciary hearings in 1991. Its name comes apocryphally comes from a letter Bratmobile member Jen Smith wrote to Allison Wolfe, stating We need to start a girl riot. The phrase itself was the name of a zine started by Wolfe, Molly Neuman and Bikini Kill members Kathleen Hanna and Tobi Vail.
Riot grrrl bands largely drew their inspiration from female-fronted punk and alternative bands and female artists of the past, such as The Runaways, The Raincoats, X-Ray Spex, The Slits, X, Patti Smith, Lydia Lunch, Crass and Kim Gordon. Their music was based around Three Chords and the Truth, eschewing complex musicianship in favour of raw production, aggressive sounds and lyrics dealing largely with politics, society and feminism. The movement relied heavily on promotional means pioneered by punk rock bands in the past, such as publishing various zines, photocopied handbills, collage-based booklets and cassette culture. Said zines had a definite political bent, featuring commentary and experiences on various important issues such as sexism, mental illness, body image and eating disorders, sexual abuse, racism, rape, discrimination, stalking, domestic violence, incest and homosexuality.
While many bands in the genre were all-female, some bands had male members too (Bikini Kill, Huggy Bear).
Predictably, the mainstream totally misinterpreted the Riot Grrrl movement's political stances and sensibilities, making them out to be Straw Feminist misandrists and generally not caring enough to do the research. They also lumped various female-fronted Alternative Rock bands with the movement even if they didn't belong to it, such as Hole, The Breeders, The Gits, 7 Year Bitch, Babes in Toyland and even No Doubt. The sheer lack of care or research became so excessive Bikini Kill entered a media blackout around 1993. Kathleen Hanna encouraged all the bands to do the same, but not many followed through.
The movement splintered by the middle of the nineties, disillusioned with its misrepresentation in the mainstream media and feeling that its radical politics had been subverted or co-opted as "girl power" by various female-fronted bands.
Bands generally associated with Riot Grrrl include:
- Bikini Kill (one of the first bands)
- Bratmobile (one of the first bands)
- Emily's Sassy Lime
- Excuse 17 (also queercore; Carrie Brownstein played here before Sleater-Kinney)
- Heavens to Betsy (Corin Tucker played here before Sleater-Kinney)
- Huggy Bear (an English band)
- Mambo Taxi (another English band)
- Mecca Normal
- Sleater Kinney (longest-running Riot Grrrl band - also somewhat queercore)
- Team Dresch (also part of the queercore subculture)
- Le Tigre (formed by Kathleen Hanna after Bikini Kill disbanded, more New Wave than Punk Rock)
A few bands have a disputed or tenuous connection with Riot Grrrl. L7 probably has the strongest claim to association with the movement due to organising the Rock for Choice benefit concert. Other female punk bands that are political but didn't identify with the movement, no matter how much dumb journalists wanted them to, included: 7 Year Bitch, Babes in Toyland, Jack Off Jill, Spitboy and Adickdid.
Also, Hole have absolutely nothing to do with the genre. Courtney Love hated the scene, accusing it of misandry and claiming the ESC cared more about dogma than encouraging free thinking. And despite the fact that she mocked the riot grrrls in the Hole song "Rock Star" (originally named "Olympia"), some people still tried to pretend Hole was a riot grrrl band. Go figure.