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Periphery are an American Progressive Metal band founded in 2005, whose relative success has made them leaders of the so-called 'djent' movement, a recent wave of metal acts that employ Meshuggah's chugging, rhythmically complex riffing style as a key component of their music. While acts like SikTh and Textures may have developed the prototypical form of the subgenre, creating a more melodic and experimental take on the original formula, Periphery are generally credited as its zeitgeist band, kickstarting the popularization and diversification of the genre.

Periphery's own music uses the aforementioned staccato 'djent' riff style, highly compressed and mid-boosted production, and glitchy electronic segments to create a heavy, mechanical feel, using lush clean guitars and soaring vocals to add a more emotive, earnest edge.


  • Periphery (2010)
  • Periphery II: This Time It's Personal (2012) (Comes out July 3rd; first half of double album)
  • Juggernaut (2012) (Release date TBA; second half of double album)

Current Lineup:

  • Spencer Sotelo - lead vocals, lyrics
  • Misha "Bulb" Mansoor — guitars, production, primary composer
  • Jake Bowen — guitars, programming
  • Mark Holcomb — guitars
  • Matt Halpern — drums, percussion
  • Adam "Nolly" Getgood - bass (temporary), production

Tropes that apply to Periphery:

  • Does This Remind You of Anything?: Take Meshuggah (somewhere in between Chaosphere and Nothing), make them a little lighter and teach them to use actual singing, and you'd get the gist of Periphery. Well, not exactly - see Genre Busting below.
  • Epic Rocking: Racecar, the 15-minute climax of their self-titled debut.
  • Excited Song Title: Jetpacks Was Yes!
  • Follow the Leader: Regarded as the flagship band of the rapidly expanding djent scene...not like they particularly care.
  • Genre Busting / Genre Roulette: The band has elements of this. While they have Djent's signature progressive/Groove Metal hybrid at their core, not only do they vary in heaviness, they also draw influences from various other genres, such as Mathcore (Totla Mad, parts of Buttersnips), Post-hardcore (Jetpacks Was Yes!), Nu-metal (Ow My Feelings)...they even dropped a song that could be called tech death (Zyglrox). They also throw in some glitchy electronic beats and effects reminiscent of IDM/Drill 'n Bass every once in a while.
  • I Am the Band: Nearly everything Periphery has released thus far is an "official" version of Bulb's old demo tracks, usually simply with vocals added and some minor changes in instrumentation. Reportedly, though, the rest of the band will have much more input on Juggernaut.
  • Mind Screw: Spencer's lyrics can be quite cryptic. Here's a fun activity: read the lyrics to Buttersnips, and then try to figure them out without looking at the explanation below.
  • Mohs Scale of Rock and Metal Hardness: Either a hard 7 or a soft 8, most of the time, but they can be quite diverse: Jetpacks Was Yes! is around a 5 (or 4, for the EP version), while Zyglrox is a hard 9, skirting a 10 in some places.
  • Non-Appearing Title: The odd, often absurd (Buttersnips and Jetpacks Was Yes! in particular) song titles on Periphery.
  • Oddly-Named Sequel 2: Electric Boogaloo: The title of their second album, "Periphery II: This Time It's Personal."
  • One of Us: Oh, so very very much. Just look at their recent videos, which contain everything from pointless yet humorous asides, their takes on the Youtube Poop, an extended discussion on Skyrim, and some trolling for good measure. Bulb is also very keen on interacting with fans on YouTube and posting on blogs such as Metal Sucks, and his signature sense of humor is well loved.

  I love how Periphery nearly always get the top comments on their own videos, simply because they're so goddamn hilarious!

 Misha: Spencer, any comments on [Buttersnips]?

Spencer: Umm, yeah, I think it's about zombies.

Misha: Yeah, that one's about the zombie apocalypse, pretty much. And, like, you read it and you don't get it, and now that we tell you that...

Spencer: You'll totally get it.

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