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"If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water."
Ernest Hemingway summing up minimalist fiction's raison d'etre.
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Many works of fiction try to be as epic as possible. A new work will try to top the ones that came before it, and the sequels try to top their predecessors.

Minimalism goes for the exact opposite.

Minimalism is when a piece of fiction lowers the scale of the events depicted within it, not simply due to time and budget restraints, but rather for creative reasons.

The reasons for a minimalistic approach to a work can vary greatly. For example, the author of the work may be trying to do a "back to basics" approach to a sequel, as the previous entry in the franchise had gotten too "over the top". Perhaps if the movie spends less time on grand action scenes involving hundreds of extras, the film can spend more time with dialogue, improving character development. Perhaps if the TV show only has one villain instead of many, more time can be spent developing that character in order to make him seem more intimidating. Maybe if the book only uses short, non-descriptive sentences instead of paragraphs of exposition, the book will read at a more dramatic pace. It's possible that if the film has one Special Effects scene instead of a hundred, more time and money will go into that one scene, improving the quality of the effect. There is no real singular reason as to why, it's just a creative choice.

Minimalism is essentially the exact opposite of the Bigger Is Better trope. Here bigger isn't better, smaller is better.

The Other Wiki has an article about this.

Compare with Beige Prose, Minimalist Cast, Bottle Episode, Stick Figure Comic, and Minimalistic Cover Art.

Examples of Minimalism include:


Demoscene


Anime and Manga

  • Shigurui's color palette is almost black and white, except for the bright-red blood and gore. It has little in the way of music or background noises, and also sparse dialogue, with each line carrying tremendous weight.
  • Texhnolyze. Again, very little dialogue, none for the first 11 minutes of the series and Ichise, the main character, rarely speaks unless spoken to by someone he respects.
  • Kino's Journey. The art designs are very simplistic and the music is subtle and low key. The show has no overarching story other than Kino travels from place to place and learns about the strange cultures of the lands. Most episodes concern themselves solely with the philosophical ramifications of the culture and pay very little attention to any kind of plot progression or character development.
  • Angel's Egg has only two characters, neither of which have names, and less than a page of dialogue, most of which is contained in a single scene. The anime focuses more on the girl's devotion to her egg than anything else.
  • Bleach: Infamous enough to have reached meme proportions, Tite Kubo tends to dispense with background scenery in his panels. He's stated in interviews that his emphasis lies with the characters themselves and, by discarding background scenery, all the attention is focused on the characters and all the action, emotion and detail comes directly from, and are focused on, the characters. It works: he's considered one of the best weekly shounen artists in the game despite the jokes about his lack of backgrounds.


Film

  • Dogme 95 films are based around minimalism, which the inventors, Lars von Trier and Thomas Vinterberg call "purity." Films following the dogma avoid artificial settings, sound, visual effects, and camera tricks as well non-diegetic sound. The film is supposed to be as accessible and realistic as possible. Notable Dogme 95 films include The Celebration, The Idiots, and Julien Donkey-Boy.
  • Alien3: How do you try to top Aliens, a film which featured hundreds of Aliens, Space Marines, huge gun battles and a Space Operatic setting? The answer is you don't. Instead you deliberately scale it back so there is only one Alien, no guns, and the whole film is just confined to a dank prison with a few lowly inmates running around, in order to spend more time focusing on the human drama and the terror caused by the Alien.
    • This was actually because of Executive Meddling and budget restrains. The original answer was "show the aliens making a full-scale invasion of Earth and film that".
  • Die Hard: Unlike the sequels which feature scenes of John McClane mowing down dozens of mooks at a time with his battles being waged across entire cities, the original Die Hard only had a total of 12 bad guys, and all the action was just confined to one building. As a result though, the first Die Hard easily has the most gripping action scenes of the series, with the fight scenes needing to be drawn out longer and more action packed due to the shortage of disposable mooks.
  • Open Water: When you think shark attack movies, what springs to mind? The huge blockbusters like Jaws and Deep Blue Sea? How about a movie where the entirety of the feature is just two people floating around in a vast empty ocean? Now that's minimalism.
  • The Blair Witch Project: No music, no lighting, filmed on camcorders and starring only three people (not counting interviewees). Despite being such a bare bones film, it's scary, and was a huge success financially.
  • Dogville, in order to focus more on the characters and their actions and avoid immersion in the story (related to Bertolt Brecht ideas about epic theater) the entire village of Dogville drawn with chalk in the floor in a soundstage. The sequel Manderlay was filmed in a similar style, though with slightly more scenery.
  • Sleuth, Cube, The Breakfast Club. All these movies accomplish so much with so little.
  • Star Trek II the Wrath of Khan is an interesting example of this. It competed with fellow pop culture icon and sci-fi movie Star Wars. Star Wars consists of massive warships, epic battles, and huge starbases, whereas Star Trek II has really short, subtle battles between only two ships, and focuses more on the drama between the protagonist and antagonist.
  • Unbreakable is an unusually minimalistic superhero film in that it features no CGI, no action scenes, no costume, a limited color palette, long periods of silence, and only 5 real characters--one of whom only appears in 2 scenes near the end of the film.
    • There is one action scene, albeit rather subdued for superhero genre.
  • The 2010 Spanish film Buried, which has Ryan Reynolds as a U.S. truck driver working in Iraq, who gets buried alive. The whole movie takes place inside the coffin, with Reynolds' character being the only person we actually see in the flesh (all other performances are either voiceovers or on his cell phone.) Still, the film never repeats a shot.
  • Signs: Your typical Alien Invasion movie will focus on world-wide destruction and chaos, the military's futile attempt to defeat the Alien war machines, a rag-tag group of scientists trying to find the Aliens weakness, and our unbreakable hero who will end up saving the world. Signs on the other hand tries to get as far away from that as possible. Yes there is a world-wide chaotic invasion, but we don't see it. What we see is just a lowly farmer attempt to secure his property and protect his family during this time of crisis, while he leaves it to the rest of the world to do the actual fighting. No war scenes, no city destroying scenes, no heroism; just a guy on his farm with his family, scared shitless of the Aliens. (Too bad the aliens' Special Effects Failure and Weaksauce Weakness diminished the scare.)
  • Gus van Sant's Elephant is a no-nonsense Columbine tale about 2 students going on a killing rampage in their school. The film features a lot of pristine stillness, extremely long static shots (which continue rolling even after everyone has left sight), and no score.
    • And the spiritual predecessor Gerry was even more minimalistic. Only two actors, with the entire plot being "two guys get lost in the desert."
  • Hitchcock's Rope is an 81 minute film that takes place entirely in real time and was filmed in only 8 shots edited to appear as one continuous shot; mind you, most films consist of several hundred shots. Eight shots is virtually unheard of.
    • And the only reason Rope was filmed in that many shots was because film cameras of the time could only hold 10 minutes of film. If not for the limitations of tech, Hitchcock would have filmed in one continuous take.
    • Rope wasn't quite real-time. Quoth IMDB:
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 Although the film lasts 80 minutes and is supposed to be in "real time", the time frame it covers is actually longer--a little more than 100 minutes. This is accomplished by speeding up the action: the formal dinner lasts only 20 minutes, the sun sets too quickly and so on. The September 2002 issue of Scientific American contains a complete analysis of this technique (and the effect it has on the viewers, who actually feel as if they watched a 100-minutes movie).

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  • Rashomon has the big huge gate set, but aside from that, it's pretty minimalistic. Eight actors, one horse, one baby, a set that consists of a wall with gravel in front of it, and a bunch of location shooting in a forest that really could be anywhere. A big production compared to some, but put it up against Ran or Seven Samurai, and it's amazing how little there is to the production.
  • Reservoir Dogs is a gangster jewelry heist film with one strange twist: it doesn't actually show the heist! In fact, the movie doesn't show much of anything. With the vast majority of the film set in an empty warehouse that is serving as the gangsters hideout, we don't get to see the elaborate planing of the job or the shootouts that ensued, instead we get to see is the crooks sitting around discussing the aftermath.
  • 12 Angry Men. 12 people sitting in a room and arguing.
  • Jim Jarmusch's deadpan comedy Stranger Than Paradise is a study in minimalism. It focuses almost exclusively on three characters who do and say very little. The film has only a few mundane locations, uses black and white film, and features long periods without any dialogue. The film also has a very slow pace, with a total of 67 shots. In between each shot, Jarmusch inserted black space to further slow down the pace. The film is general thought to be a reaction to the growing trend toward fast, flashy media.
  • My Dinner with Andre became notorious for being almost entirely two men having a conversation in a restaurant.
    • Andy Kaufman's parody, My Breakfast With Blassie, featuring an hour-long breakfast conversation between Kaufman and professional wrestler "Classy" Freddy Blassie, mirrored the minimalist style of Andre.
  • In The Disappearance of Alice Creed, you meet the entire cast - a grand total of three people - in the first ten minutes or so, and the movie has maybe three or four different sets.
  • The Film Noir genre as a whole, focusing on the social commentary of urban stagnation and how the characters react to it.
  • Roman Polanski's Carnage: Four actors in one apartment, all in Real Time.
  • The Found Footage genre relies heavily on low effects and amateur filming in order to give viewers immersion through its realism.


Literature

  • To summarise Ernest Hemingway's quote at the top of the page: seeing a mere hint of emotion is often much more effective than being exposed to the full brunt of it. We only need to see the tip of the iceberg to know the rest of it is there.
  • Raymond Carver.
  • Haiku is often said to be minimalistic in nature.
  • Imagist poetry by writers such as Ezra Pound and H. D., which used clear imagery and was inspired by forms such as haiku, as well as more Modernist sensibilities.
  • Chuck Palahniuk specifically identified this as his style in an essay about another American minimalist writer, Amy Hempel.
  • Hardboiled literature. Examples include Raymond Chandler and Dashiell Hammett.
    • And by extension a lot of Cyberpunk works that incorporate a lot of the Noir stylings. William Gibson was one of the most obvious users of minimalistic writing in the genre. The idea is that most dystopic cyberpunk worlds are mass-produced and samey and so very little needs to be said about the background, because everywhere is neon-lit and filthy.


Music

  • The Minimalist genre represents one way to achieve this in music: employing a lot of repetition or drones, and with the melody (if present at all) slow to develop. While the melodies are quite minimal, the arrangements can be exactly the opposite--minimalism was originally a form of orchestral music. The composers associated with this style include Terry Riley, Steve Reich, Philip Glass, and La Monte Young.
    • In turn, a number of Kraut Rock, post-rock, and electronic musicians incorporate minimalist songwriting.
    • John Adams
    • Most readers here would probably be exposed to Adams through playing Civilization IV, where the unsettling, often amelodic tones make a great match with the uncertainties of the modern era.
  • Three Chords and the Truth would be the other way to achieve this in music.
  • Lowercase subgenre takes it to the extreme. Bernhard Günter, for an example, has some works where the "music" may be barely heard and sounds are similar of your average background sounds coming out of sensitive headphones.
  • Alvin Lucier's 1961 composition "Elegy For Albert Anastasia" is mostly made up of inaudible low frequencies, with the few audible sounds being extremely quiet or fleeting. The concept: The Mafioso of the title was murdered because he "did not hear" certain important information; neither does the listener. You may resume tilting your heads now.
  • Entertainment for the Braindead's album Roadkill used a banjo as the sole instrument (well, she also used a tambourine on exactly one song). This doesn't qualify as Three Chords and the Truth, however, because, through a variety of playing styles (she picked it as normal, she played it with a violin bow, and she even played percussion on it) and plenty of tracking, she got an entire band's worth of sound out of that single instrument.
  • Tina Weymouth, the bassist of Talking Heads, plays the same exact chord loops per song on their Remain In Light album. Listen to the bass's line on Crosseyed and Painless, it's simplistically intense.
  • Japanese singer-songwriter Utada HikaruUtada Hikaru has a music video for the song Hikari (simply 光 in Kanji) that features her doing lip-sync to the song while washing dishes. Note that this is the entirety of the video.


Software

  • The Brainfuck programming language which uses only 8 commands with no operands to create a program. It also uses no printable characters (all whitespace), for extra WTF.
    • Also available are OISC (1 command, 3 operands) and Thue (1 command, 2 operands).


Tabletop Games


Theatre

  • At the beginning of Our Town, the narrator points to a few irrelevant bits of scenery on the otherwise bare stage, saying, "There's some scenery for those who think they have to have scenery."
  • The musical The Fantasticks has a two-piece band and a cast of eight. This helps save on production costs.
  • Japanese Kabuki and Noh theatre are examples. The dancing appears tranquil and simple, but in truth, they are complex and call for precision. The most famous Japanese minimalist is Bando Tamasaburo, a female-impersonator.
  • Samuel Beckett, anyone? See for instance Not I, in which the only thing on stage is a mouth, speaking for about 15 minutes.
    • And then there's Breath. Throw some trash on stage, turn the lights up, wait twenty seconds, turn the lights down. (To his credit, he wrote this one at least partially as a joke. He withdrew it when the producer who originally commissioned it decided to throw some naked people on stage along with the trash to give it the illusion of meaning something.)
    • Beckett pretty much described this as the entire point of his work -- reducing language to its absolute bare necessities. (He lived most of his life in France, and wrote much of his work in French first because it forced him to be careful with his words.)
    • The same is true for many absurdist playwrights. Eugene Ionesco comes to mind in particular.
  • Scenery in A Chorus Line is reduced to a cameo role. Except for one brief shining moment in the finale, it takes place on a bare stage, or a bare stage reflected by mirrors.
  • Who's Afraid of Virginia Woolf? has four characters, one setting and is in Real Time.


Webcomics

  • Fleep takes the Ontological Mystery genre and boils it down to its bare essentials: One man, trapped in a room (in this case, a phone booth), trying to figure out how he got there and how to escape.


Video Games

  • The Other Wiki cites the design of Quake III Arena to be minimalistic (compared to its competitor, at least).
  • This seems to be the guiding philosophy of Team Ico: Gameplay is mostly limited to one or two elements, implemented extremely well. (In Ico it's platforming puzzles and an Escort Mission; in Shadow of the Colossus it's Puzzle Bosses and horseback riding.) Cutscenes are few and brief, resulting in a high level of immersion for the player, and seemingly-simple plots that support a lot of analysis and reinterpretation.
  • The Myst games exemplify minimalism in the adventure game genre. The protagonist is never defined, there's no inventory collection (aside from occasional journals or pages), there are no enemies or bosses to encounter, and the game expects you to learn everything. And we mean everything.
  • Oasis does that to Civilization-type games.
  • Likewise, Ikaruga does it for Shoot'Em Up and Bullet Hell genre.
  • You Have to Burn The Rope plays it for laughs.
  • Kairo is going to be this, when it comes out.
  • Narcissu is a Visual Novel example. It's comparatively short, features only two main characters (who are seldom seen), and the graphics almost entirely consist of background art, with no sprites or fancy effects. Oh, and all the graphics are letterboxed to the middle third of the screen.
  • Limbo is incredibly minimalistic, and all the more haunting because of it. No dialogue, no chapter names, no character names, no color, yet it's emotionally compelling and enthralling while it lasts.
  • Most Nifflas games are this; sound effects are mostly very subdued, the graphics show only essential things, dialogue/narration (if there is any) is mostly only at the beginning and end of the game, and enemies are often few and far between.


Web Original

  • The design of The Best Page in The Universe is minimalistic in that its pages consist of minimal colour (large grey text on a black background), and is mostly text oriented, for the most part lacking images, advertisements, animations, and other fancy design gimmicks. The site author, Maddox, claims the purpose of this is in part to minimise bandwidth consumption, but is mostly as protest against "all the slick-looking, contentless web sites out there" and to make the website easier on the eyes as "Staring at a white background while you read is like staring at a light bulb".
  • Wormtooth Nation was filmed on a shoestring college student budget, and all the sets are warehouses located in the city the writer lives in. The actors are all local drama students. Despite the flaws, it's extremely good for a web series.
  • Marble Hornets is much like The Blair Witch Project - there's no music, it's all shot on cheap camcorders, and has few special effects. There's often little to no dialogue (some entries don't even have sound), with nearly all of the exposition done in white text on black at the start and end of the videos.
  • Everyman HYBRID is what the cast of Marble Hornets pointed to when asked if they were fans of any of their imitators, describing it as doing everything, even the minimalism, exactly right. They arguably have more content, but it's often much less dense; sometimes fans find in-game clues; one was a piece of paper with a single line of typed text.
  • Google search. A logo, a search box, a couple of buttons and a few links.
  • TV Tropes' Laconic uses this style, making normally verbose pages easier to understand.


Western Animation

  • UPA (United Productions of America) rebelled against the elaborate visuals and pictorial realism of the Disney studio by making films that went in the opposite direction, with streamlined designs, abstract backgrounds and simplified movement. Most of their innovations were co-opted by television as a way of making shows inexpensively, but they also inspired more artistic minded studios like the Zagreb School and the National Film Board of Canada.
    • Of the UPA films, the one that probably best exempifies this approach is The Tell Tale Heart. Animation is kept to a bare minimum (a flitting moth, some creeping shadows), letting the moody backgrounds, camera effects and narration do most of the heavy lifting.
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