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Many poems follow some sort of rhyme scheme--AABBA, ABAB etc. This is generally an end rhyme; the rhyming words come at the end of each successive line. Generally the rhyme ends up even, and each line is a complete phrase, if not a complete sentence.

And then...there are these.

If you write out the poem or lyrics in lines, they will long as you cut words between two lines. Or three, but that would get silly.

Tends to overlap with a Least Rhymable Word, as a way of getting around it (without "chilver" or "doorhinge").

Please note that the word has to be completed for this to work. Otherwise it's an abbreviation, a Curse Cut Short, or a Subverted Rhyme Every Occasion.

Examples of Midword Rhyme include:


An even grimmer

Plan has been simmer-
—ing in my great criminal brain!


 Eating an orange

While making love

Makes for bizarre enj-

oyment thereof.

    • Lehrer again:

 When you attend a funeral

It is sad to think that sooner or l-

ater those you love will do the same for you...

And you may have thought it tragic

Not to mention other adjec-

tives to think of all the weeping they will do...

  • Goldentusk's With Lyrics version of the Halloween theme does this once; perhaps unnecessarily, since the running rhyme of the song is a long E sound.

 His sense of life and death and good and e-

vil seemed extremely rudimentary

  • "The Way You Look Tonight" (originally from the film Swing Time, now a jazz standard):

 Oh, but you're lovely,

With your smile so warm

And your cheeks so soft,

There is nothing for m-

e but to love you,

And the way you look tonight.

  • Arlo Guthrie's "Motorcycle Song" (allegedly written while falling off a cliff after trying to play an acoustic guitar while riding a motorcycle):

 I don't want a pickle

Just want to ride on my motor-sickle

And I don't want a tickle

'Cause I'd rather ride on my motor-sickle

 And I don't want to die

Just want to ride on my motorcy... cle.

 I knew that, it wasn't the best song l ever wrote, but I didn't have time to change it. I was comin' down mighty fast.


  • In the final episode of the first series of Mitch Benn's Crimes Against Music, he and Richard Stilgoe are having a satirical song contest; when Stilgoe challenges Benn to continue the song "I went to the supermarket and there I bought an orange", Mitch melts. But he later comes back:

 Everybody knows ain't nothing rhymes with orange

Doesn't matter how much imagination or ing-

enuity you use, even words that are foreign j-

ust better let it go, ain't nothing rhymes with orange


 My time is at a premium

For soon the world will see me a m-

aternal bride-to-be

 Wipe off that gloomy mask of tragedy

It's not your style

You'll look so good that you'll be glad ya de-

cided to smile

  • From Wicked:
    • "A Sentimental Man":
And helping you with your ascent al-
—lows me to feel so parental
    • "Popular":

 Don't be offended by my frank analysis

Think of it as personality dialysis

Now that I've chosen to become a pal, a sis-

-ter and adviser

There's nobody wiser

When a girl's emergent

Probably it's urgent

You differ to her gent-
—tility, my Lord

 Journey, journey to a spot ex-

citing, mystic and exotic

Journey through our anecdotic revue

  • "How I saved Roosevelt" from Assassins contains a mid-letter rhyme, which when written down looks sort of like:

 We'd have been left




Western Animation

 Miss Lucy had a steam boat

The steamboat had a bell,

Miss Lucy went to heaven and the

Steamboat went to...Hell-

o operator

South Park's version, however, is much naughtier than the original playground song. Specifically, mention is made of "cont-aminated water."


  • Daniel F. Wallace

 When mired in a problem's confusion,

heed not to the boundary illusion.

So when rhyming with orange,

one has to be more inge-

nious to find a solution.

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