Harlan Ellison

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"Darkness falls early. From the horizon comes the wail of creatures pretending to be human. The red tide has come in, and shapeless things float toward the shore. He stands before the altar of Art, naked and with fists raised, and he vows: I will not be lied to. Hello. My name is Harlan Ellison and I am a writer." —Introductory paragraphs of Ellison's first An Edge In My Voice column

Harlan Ellison® (yes, he's made his own name a registered trademark) is a famously grumpy science fiction wri- erm, that is, writer. His work has won eight and a half Hugo Awards, three Nebula Awards (plus a lifetime achievement award), five Bram Stoker Awards (including a lifetime achievement award), two Edgar Awards, and four Writers Guild of America Awards for Most Outstanding Teleplay -- more awards than almost any other living writer -- but it's his personality that everybody remembers about him. For some reason.

He suffered severe Internet Backdraft when he groped Connie Willis in public, which many fans consider his Moral Event Horizon.

Famous works include:

• "Demon with a Glass Hand" and "Soldier", episodes of The Outer Limits. James Cameron used them as the basis of creating The Terminator (by accident, so Jim claims), and Ellison caught him red handed and got a cash settlement and an official acknowledgment in the credits.
• "'Repent, Harlequin!' Said the Ticktockman", Hugo- and Nebula-Award-winning 1965 short story. Which, he writes in an intro to the story in [not sure what anthology], that he wrote it all in one sitting, the night before he had to hand it in for a writing-workshop.
• "I Have No Mouth, and I Must Scream", Hugo-Award-winning 1967 short story and the 1995 computer game based on it, which he wrote and starred in as the voice of AM.
• Editor of Dangerous Visions and Again, Dangerous Visions, ground-breaking sf anthologies published 1967 and 1972; The Last Dangerous Visions was announced in 1973, and he still insists that he'll get around to releasing it one of these days.
• "The City on the Edge of Forever", Hugo-Award-winning 1967 episode of Star Trek the Original Series
• "The Beast that Shouted Love at the Heart of the World", Hugo-Award-winning 1968 short story
• "A Boy and His Dog", Nebula-Award-winning 1969 short story made into Hugo-Award-winning 1974 film
• Creator of the original concept for the 1973 TV series The Starlost, which suffered so badly from Executive Meddling that he insisted on being credited only under a derisive pseudonym.
• Harlan Ellison's Watching, a movie review column for the Los Angeles Free Press and The Magazine of Fantasy and Science Fiction.
• The Glass Teat and The Other Glass Teat, a two-book collection of television and social criticism.
• Was hired by Warner Brothers in the late 1970s to write a film adaptation of Isaac Asimov's I, Robot; the script (which is available in book format) is highly-regarded by those who have read it, but the project fell apart after Ellison accused a studio exec of having the intellectual capacity of an artichoke.
• Was also given a crack at the script for Star Trek the Motion Picture. His take forced the Enterprise crew to choose whether to destroy an entire alternate universe in order to rescue their own, but (as usual) an executive wanted to toss in his own two cents - in this case, a good deal of space-Mayan mysticism. Ellison told him to go soak his head, and the script was eventually written by another writer.
• "Jeffty is Five", a Hugo- and Nebula-Award-winning 1977 short story.
• Conceptual consultant on Babylon 5 (and made a couple of guest appearances)
• "Funny Money", collected in Batman: Black And White Vol.2. Find it. Borrow, steal, kill. FIND IT.

YOU*ARE*SO*BUSTED*

• Spider Kiss (aka Rockabilly), a 1961 novel about a sociopathic teen idol and the publicist who has to keep the singer's drunken rampages out of the scandal sheets. His only full-length novel, and also the only novel given a spot in the Rock 'n Roll Hall of Fame.
• Two third season episodes of The Man from U.N.C.L.E.: "The Sort of Do-it-Yourself Dreadful Affair" (Season 03, Ep. 02) and "The Pieces of Fate Affair" (Season 03, Ep. 23). The latter was, for a long time, the series' "Missing Episode", as Ellison had unwisely parodied a number of his literary acquaintances, and used several friends' names for characters, resulting in a lawsuit against Ellison and the removal of the episode from syndication packages until 1985.

Things he's famously grumpy about include, but are certainly not limited to:

• People who discount all science fiction as being no better than the worst of film and TV Sci Fi ("that hunchbacked, gimlet-eyed, slobbering village idiot of a bastardized genre").
  • In fact, as of Dream Corridor, he hates the label "science fiction writer", which he sees as too limited, and really doesn't like the label "sci-fi writer".
    • And he really REALLY doesn't like the term that's pronounced "sigh-fie".
• People who ask him about the jellybeans in "'Repent, Harlequin!' Said the Ticktockman".
  • Which were lampshaded in the story itself.
• People who ask him when The Last Dangerous Visions is going to be published.
• Similarities between his Outer Limits episodes and the film Terminator, which led to a lawsuit and a credit for him in subsequent releases of the movie.
• The changes made to his script for "The City on the Edge of Forever" before it was filmed. It's worth remembering that his original version of the script won him one of his Writers Guild of America Awards -- but on the other hand, it was the final broadcast version of the episode that won the Hugo. (It's also been suggested that his version of the episode, had it been filmed, would have murdered the budget and then been murdered in turn by Standards and Practices.)
  • William Shatner said he attempted to talk to Ellison during the ordeal to try and calm things down. According to Shatner, Ellison responded by yelling at him.
  • Apparently Paramount has taken the tactic of declaring most, if not all, elements of the story off-limits for the Expanded Universe after Ellison sued them (and the Writers Guild of America) for 25% of the royalties for every time they were used from 1967-2009. Paramount settled out of court.
• The Starlost.
• Penny Arcade, of all things.
• Star Wars, because people consider it a good science fiction story but it doesn't really examine the effect of the setting on humanity as a whole.
  • Which feeds back into the distinction between "science fiction" and "sci-fi".
• His height.
• Jesse Jubilee James, firefighting llama cowboy.
  • Which was more than justified, considering that what this Janna person did was, for all intents and purposes, Mind Rape one of his friends. For nearly two years.
• Racism, as best illustrated in "From Alabamy, With Hate".
• Anything not on this list.
• The longtime blackballing of A.E. van Vogt for the SFWA Grand Master Award.
• Cultural illiteracy.
• Snopes.
• Mistreatment of writers by studios. Which is ironic, because he also is rather contemptuous of TV.
• Attempts to persuade him that he should do something for free that he feels entitled to be paid for.

Harlan Ellison isn't really grumpy all the time, and he does have friends, and there are also stories demonstrating that he's capable of being a wonderful human being. He also appeared as a grumpy caricature of himself in Scooby Doo Mystery Inc, giving a lecture that concluded "...and that's why nothing good has been written since the 1970s". The stories about Grumpy Harlan Ellison are a lot funnier, though (example: allegedly once mailing an executive roadkill -- fourth class -- along with a recipe for gopher stew).

For an in-depth look at the man's genius, madness, and general assholery, check out the documentary on his life and career: Dreams with Sharp Teeth. The film features commentary by Robin Williams, Neil Gaiman, Ronald D. Moore and others who have known, worked with, or have been influenced by Ellison and his writings.

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Harlan Ellison is the Trope Namer for:

• And I Must Scream

Works by Harlan Ellison with their own trope pages include:

• "A Boy and His Dog"
• Dangerous Visions and Again, Dangerous Visions
  • But not The Last Dangerous Visions
• "I Have No Mouth, and I Must Scream"
• Spider Kiss

Other works by Harlan Ellison provide examples of:

• Adam and Eve Plot (parodied)
• The Atoner: "With Virgil Oddum At The East Pole"
• Blatant Lies
• Boldly Coming: "How's the Night Life on Cissalda?"
• Cursed with Awesome: "Seeing" revolves around a woman whose mutated eyes allow her to see in ways that normal eyes (and brains) can't begin to process. She hates her vision because it's made her life miserable.
• Death by Sex: Implied for humanity as a whole at the end of "How's the Night Life on Cissalda?"
• Development Hell: The Last Dangerous Visions
• Drugs Are Bad: "Shattered Like a Glass Goblin"
• Earth-That-Was/Mercy Kill: "The Deathbird".
• Exactly What It Says on the Tin: "How Interesting: A Tiny Man".
• The Gadfly: And proud!
• Gainax Ending: "How Interesting: A Tiny Man" was published with two possible endings. One is more straight and tragic, the other makes your head hurt as it can almost understand it.
• God Is Evil:
  • Probably the best way to explain "The Region Between."
  • He wrote a whole collection - Deathbird Stories- around this trope.
• Grand Theft Me: "Mefisto In Onyx". (But done by the protagonist.)
• Humans Are Bastards/Humans Are Morons
• In Medias Res
• Jewish Mother: Taken to a horrifying extreme in "Mom" - the titular mother comes back as a disembodied voice after she dies just so she can continue nagging her son.
• Large Ham:
  • His voice acting in I Have No Mouth, and I Must Scream. (TEEEEEEEEDDDD!)
  • Also, debateably, his whole life. As Neil Gaiman said (In Dreams with Sharp Teeth) "I think all of Harlan's work is actually a giant piece of performance art, called...Harlan Ellison."
• Laugh Track: In-story in "Laugh Track", of course. The ghosts of those whose laughter was recorded are now trapped in it, and one of them gets out and starts jeering at the awful comedies it's being used for. (An explicit comparison is made to the idea of a soul-stealing camera.)
• Magical Negro: Explicitly averted in "Paladin of the Lost Hour" and "Mefisto In Onyx".
• Mind Screw: His latest short "How Interesting: A Tiny Man".
• Missing Episode: The Last Dangerous Visions
• Shown Their Work: Ellison has esoteric and obscure references coming out the wazoo, and oftener than not, even the really weird (for him, that's a special level of weird) ones are things you can look up.
  • In "Grail", the demon Surgat is a minor demon who specializes in opening locks. He has his own Wikipedia page.
• Space Jews: In "I'm Looking For Kadak".
• Unreliable Narrator: Many of his stories about his interactions with Hollywood/other writers have gotten called into question by the rest of the science fiction community. Ellison is one of those people who won't let the truth get in the way of a good story; take anything he says with a salt mine.
• What Could Have Been: His script for a film adaptation of I, Robot.
• What Do You Mean It Wasn't Made on Drugs?: Very famously, Ellison neither drinks nor smokes nor gets blasted out of his mind on acid ever. He used to smoke a pipe, but quit that years ago.
  • Many people attending science fiction conventions in the late 60s and early 70s remember Ellison as smelling so strongly of pot you could get high standing next to him. He has often railed against hard drugs, though.
• Why Fandom Can't Have Nice Things: Wrote an essay on it (sci fi/fantasy literature, specifically), called "Xenogenesis", which included a number of examples of the awful things that have been done to him and other writers by fans.