Crime novelist who wrote several novels featuring bodyguard Atticus Kodiak before crossing over into comic books with Whiteout and going on to write a highly respected run on Wonder Woman and several Batman and Superman titles. His Queen and Country series is unusual in that he has written comics and novels in the storyline.
- Action Girl: Notable in the industry for usually using female protagonists.
- Author Appeal: Strong girls. Lesbianity optional.
- Bittersweet Ending
- Dark and Troubled Past
- Doing It for the Art: Particularly Queen and Country, which doesn't sell as well as his mainstream comics work but is clearly a labor of love.
- Downer Ending: Every one of the Atticus Kodiak, except Smoker, ends with a downer ending, and all of those except for the second and final novels end with a major supporting character being Killed Off for Real.
- Killed Off for Real: It is really not healthy to be a supporting character in one of Rucka's personal works, but especially in an Atticus Kodiak novel; by the final book of the series only three or four of the once sizable supporting cast are left alive (and Bridget Logan arguably doesn't count, since she was the protag of her own novel). And then there's Queen & Country...
- Myth Arc: The evolution of his "pet character" Sasha Bordeaux from a supporting character in his Batman run, through The OMAC Project, to starring in Checkmate.
- Shoot the Dog: Almost all of his protagonists are called on to do this.
- Shown Their Work: Rucka is noted for extensive research and background work, particularly in police procedure, international politics and mythology. He also consulted with Dan Choi for the issue of Detective Comics where Batwoman Katherine "Kate" Kane is discharged under Don't Ask, Don't Tell.
- Spiritual Successor: Tara Chace, the lead agent in Queen and Country, evolved from Lily Sharpe, the British spy in Whiteout. Queen and Country itself is an homage/reworking of The Sandbaggers. Stumptown is supposed be a modern take on The Rockford Files.