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The original six students who formed New Directions, along with their teacher Will.
William "Will" Schuester
From the top!
A High School Spanish (now history) teacher who takes over the Glee club (New Directions) and becomes a mentor to the Ragtag Bunch of Misfits. He is/was married to Terri but has feelings for Emma. Played by Matthew Morrison.
- Berserk Button: Will has admittedly put up with a lot of crap from other people, including his wife. But when he finds out that his wife was faking her pregnancy, he just fucking blows up...
- Betty and Veronica: An interesting case, as if we analyze the case closely he could be considered to the Betty or the Veronica to Ken, who would become the opposing force depending on what you consider Will to be.
- Beware the Nice Ones: Will is beyond furious when he confronts Terri about her fake pregnancy.
- Camp Straight: A mild case. Shelby Corcoran wonders if he's gay, and a few other characters have teased him for his interest in show tunes.
- Catch Phrase: "From the top!"
- Cool Teacher
- Cool Shades: Well Emma thinks so.
- Chick Magnet: Female characters hit on him regularly. Weaponized by Will in "Funk."
- Deadpan Snarker: Could have his moments of this, like in "Funk" when Sue rails on him about humiliating her:
- Did Not Get the Girl: Subverted. Emma and Carl are Amicably Divorced now, and Will and Emma live together as of Season 3.
- Drowning My Sorrows: After Emma marries Carl.
- Foe Yay: Will and Bryan Ryan, in "Dream On". Will and Sue, canonically, in "Funk".
- George Jetson Job Security: Despite being a public school teacher and thus presumably unionized, he apparently has this, as Sue fires him while he's on sick leave.
- High School Sweethearts: Will and Terri are a not – so – happy version of this.
- Hot Teacher: This is what happens when you are both Estrogen Brigade Bait and a Chick Magnet.
- Informed Ability: How much Spanish Will actually knows and can speak, which is strange, considering he's the Spanish teacher at McKinley. To be fair it was never stated that he's a good Spanish teacher.
- In the episode "The Spanish Teacher", it turns out he doesn't know much at all, and only took the position because it was the only one available.
- Innocent Cohabitation: In “Home”, this is what happens between Will and April during her stay at his house, even if Sue later tried to twist it for her own purposes.
- It's the Journey That Counts: Will states this in the aptly named “Journey” to New Directions just as they are preparing to go out and perform at Regionals.
- Karma Houdini: Will completely gets away with planting marijuana in Finn's locker to force him to join the team in the pilot.
- Kick the Son of a Bitch: We know Sue is a bad person but, intentionally leading her on for the sole sake of breaking her heart? Damn Will, that's cold.
- Love Hurts: During his confrontation with Terri, Will tears up.
- Love Dodecahedron: Terri-Will, Holly-Will, Shelby-Will, Emma-Will, Carl-Emma, Ken-Emma...
- Manipulative Bastard: For such a Nice Guy, Schue really is capable of pulling off some underhanded deeds.
- Mistaken for Racist: Part of Sue's campaign against Will is to get all of the minority kids into her own section of the glee club.
- Mr. Fanservice: There's quite the number of comments on Youtube videos of his Don't Stand So Close To Me/Young Girl mash-up about how cute/sexy Will is.
- No Accounting for Taste: Will and Terri.
- Odd Friendship: With Coach Bieste.
- Ominous Latin Chanting: "O Fortuna" is used to hilarious effect during the Will vs. Sue scenes in episode 7.
- Only Sane Man: ... most of the time. And similarly, Only Sane Employee.
- Out-of-Character Moment: Will's furious reaction to finding out about the faked pregnancy. It’s precisely how far that is from his usual personality that makes it so chilling.
- And smashing the Cheerio's trophy when Sue tries to house it in the chorus room. He probably would have preferred to smash it over Sue's head if he could have gotten away with it.
- His eerily calm "You dropped your trophy, Sue" just makes that moment even more frightening.
- Out of Focus: In season 3, possibly in response to the fandoms' response to his storylines in the second season.
- Papa Wolf: A subtle one, but in "Funk", after Will stops the guys from Glee getting revenge on Vocal Adrenaline for their horrible treatment of Rachel. Kurt demands to know if Will is letting Vocal Adrenaline get away with it. Will, face cold and in Tranquil Fury mode, answers "no". and proceeds to call Jesse with Rachel’s phone. Will invites Vocal Adrenaline to see New Directions perform, which they do (blasting a funk number out of the park). Lesson learned? Do not go after one of Will's Glee kids.
- Parental Substitute: It appears as if Will is shaping up to be a father-figure for Finn, considering his father died when he was just a baby. Finn outright confirms this in the Season 1 Finale.
- Poke the Poodle: On his way out of Sue's office after she steals all the gifts for the homeless children, he unhangs her telephone.
- Pretty Fly for a White Guy: Will is very, very white, his favorite song is "Bust a Move", he raps "Gold Digger", likes Poison, and breakdances.
- Reasonable Authority Figure
- Red Oni, Blue Oni: The blue to Sue's red.
- Rousing Speech: In “Journey” Will gives a rather emotional one the New Directions shortly after they learn that Sue would be one of the four judges at Regionals, stating that as a group they have grown and changed so much, and for the better and that no matter what happens in the future, he believes and loves them too much to let them fall at the wayside
- Sensitive Guy and Manly Man: Arguable, but the Fandom universally places Will as the Sensitive Man to Ken’s Manly Man and being the Sensitive Man seems to be one of the main reasons for Emma’s attraction to Will.
- Ship Tease: In “Funk” they really tease the hell out of the Will and Sue ship. Their dance to "Sing, Sing, Sing" was kind of adorable, too.
- So Proud of You: One could argue that Will is always proud of his “children”, as seen in his facial expressions every episode. However, quite possibly the two most touching instances of this are in “Sectionals” and in “Journey”.
- Team Mom: Schue is a rare male example.
- Too Dumb to Live: Not noticing that something strange is going on with Terri's pregnancy? Come on. But in Episode 12, he finally clues in.
- Took a Level In Badass: All of Episode 12. Will finally confronts Terri about her fake pregnancy, rips her fake baby bump off, stops taking her bullshit, and walks out on her, all while proving that Will can actually act. Later on, after Will endangers Glee Club's chance of going to Sectionals by sleeping on a mattress they received from a commercial spot, Will takes the bullet for the team so they can still go to Sectionals; just without him.
- Waistcoat of Style: Santana thinks he's addicted to them.
- What the Hell, Hero?: Emma calls Will out on his "slutty" behavior - cheating on Terri with her, having April stay at his house, and making out with Shelby - in front of the entire faculty. Also the end of "The Power of Madonna" where he is angry with Kurt and Mercedes for joining the Cheerios. At some point before this episode, three of the six girls in Glee (Quinn, Santana and Brittany) were already on the Cheerios and all of the guys but Artie were on the football team. All of a sudden he has a problem with Kurt and Mercedes trying to get solos for themselves.
- Half of his lines in "Special Education" are this, calling out the club on their selfish behavior and his own failings as a fair director.
- Wide-Eyed Idealist: Oh, so much.
- Worthy Opponent: Sue considers him one at the end of the first season, which is why she forces the principal to give the Glee club another year, even though they didn't place at Regionals.
Rachel Barbra Berry
Look, I know what I'm talking about! I won my first dance competition when I was three months old!
The most talented kid in the group, and she knows it. Her diva behavior makes her an outcast with most of the student body, though the Glee kids tolerate her because of what she brings to the table. Dating Finn. Played by Lea Michele.
- Aesop Amnesia: It's so bad in the season two premiere it's like the entire first season never happened.
- She gets better in season three, though.
- Then worse again. In episode 3 of season 3 no less!
- Age-Inappropriate Dress
Kurt: She manages to dress like a grandmother and a kindergartner at the same time.
- All Gays Love Theater: Though Rachel herself is straight, it's heavily implied/outright stated that her strong interest in musical theater comes from her two dads.
- All Jews Are Ashkenazi: Demonstrated when Rachel lectures Quinn about Tay-Sachs syndrome and how her cousin had to get checked for it. This is despite the fact that Rachel's actor, Lea Michele, is Sephardic. Although since it was her way of forcing Quinn to come clean about the paternity of her baby, it may be debatable.
- Alpha Bitch: She shows some characteristics of this within the confines of the club.
- Always Someone Better: Sunshine for Rachel; Rachel for the rest of the glee club. Then, Mercedes for Rachel.
- Ambiguously Jewish: An interesting inversion: Rachel proudly identifies as Jewish, but because she was sixteen when she met her mother for the first time, and her mother (although played by a Jewish actress, Idina Menzel), is named Shelby Corcoran, which is very much not a Jewish-sounding name, there is no particular reason to think that Rachel is Jewish according to Jewish law (although it should be noted that the Reform movement accepts patrilineal descent as a basis to define someone as Jewish).
- Also, it's possible that Shelby is Jewish from her own mother's side of the family ("Corcoran" is Shelby's father's last name; we have no idea what Shelby's mother's maiden name was). Thus, even if she isn't Reform, Rachel would still be considered Jewish thanks to her maternal grandmother.
- Ascended Meme: People referring to Rachel by her last name as "Berry", something that is epidemic in fanfic but only happened on the show in episode 2.15 (Santana, specifically).
- Attention Whore: In the first season before her Character Development hits. Comes back in full force in season 2. Fortunately she seems to, for the most part, have moved on from it.
- And it's back again.
- Bad Bad Acting: "Run Joey Run." That is all.
- Betty and Veronica: An interesting case, as she could be seen as both the Betty (the girl next door vibe in comparison to the Libby that is Quinn) and the Veronica (her overbearing and control freak personality in comparison to Quinn’s Christian upbringing) at the same time. She later becomes the Archie to Finn's Betty and both Puck and Jesse's Veronica.
- Big "Shut Up!": Rachel gets one against Puck in "Auditions".
- Break the Cutie: In "Funk" she suffered one hell of a breaking at the hands of her ex–boyfriend and his teammates.
- Bunny Ears Lawyer: Is seen this way by the other New Directions at first: They think she's obnoxious and rude, but they tolerate it because of her talent. Puck says it best in "The Rhodes Not Taken":
Puck: That Rachel chick makes me want to light myself on fire, but she can sing.
- Butt Monkey
- Child Prodigy: In terms of music, as she both won her first dance competition at three months old and won a singing competition at eight months old.
- Concert Kiss: After "Pretending" in "New York" with Finn, complete with Held Gaze. Subverted in that the audience isn't too pleased and barely claps, and Jesse, Blaine, and Santana all think that it was unprofessional and cost them a place at Nationals.
- Control Freak: And how.
- Curtains Match the Window
- Dynamic Character: Rachel's personality has changed considerably since the beginning of the series, as she has become less cruel and full of herself (although she is still abrasive).
- Extracurricular Enthusiast: Rachel's joined every club in the school, even ones she would normally have no business being in. Subverted in that she doesn't do it because she loves the activities, she does it to get as many photos of herself in the school yearbook as possible.
- Fag Hag: Has all the makings of one, as illustrated by Kurt in "Blame It On The Alcohol".
- Failed Attempt At Drama: Rachel attempting to storm out in a wheelchair, and bumping into the doorframe.
- Generic Cuteness: She is often referred as "mildly attractive".
- Genki Girl: Rachel always signs her name with a gold-star sticker, and wakes up every day at 6:00 for her daily exercise routine. She claims to have won her first dance competition at three months old. This is actually believable since in Dream On she shows Jesse a singing trophy from eight months old. Maybe it's just because she's Shelby Corcoran's daughter.
- Genre Savvy: "I think everyone expects us to get together because you're the handsome football player and I'm the beautiful young ingenue." Or Wrong Genre Savvy, YMMV.
- Girl Next Door
- Has Two Daddies: Who are also an interracial couple.
- Heel Realization: In "Duets" Rachel finally realizes that her desire to win hasn't made her as nice as she likes to think she is. She then spends the entire episode trying to do things for other people, which in one case means actively trying to lose at something.
- Heroic Sacrifice: Of sorts. After stuffing the ballot in order to help Kurt win the election and Kurt is blamed for it, she admits it so that he can avoid suspension and a mark on his permanent record. She gets them instead, as well as being banned from Sectionals that year.
- Hollywood Dateless: For a girl who is supposedly "unpopular" and "mildly attractive", she's already dated three boys within her sophomore year, and another is very attracted to her.
- Hollywood Tone Deaf: When she loses her voice.
- Hot for Teacher: Rachel develops a short-lived crush on Will in Episode 10.
- Huge Guy, Tiny Girl: Rachel is the Tiny Girl to Finn's Huge Guy.
- I Can't Believe a Guy Like You Would Notice Me: Her initial reaction to her and Jesse's first meeting. Her and Finn, to an extent.
- I Just Want to Be Special: She explicitly tells Mr. Schuester that she's in the glee club to win popularity. To Jesse in "Bad Reputation": "I have a pathological desire to be popular." However, it should be noted that she remains in the Glee club even when it starts to become an obstacle to her popularity, so she probably has other reasons.
- Incompatible Orientation: Let's face it, her and Blaine's relationship was doomed from the start.
- Informed Ability: Yes, Lea Michele is exceptionally talented. But the way they go on about her, you'd think she was the only talented member of the cast. Softened in seasons 2 and 3 when she admits that Mercedes is equal to or more talented than her.
- Informed Flaw: The show goes on and on about how she doesn't dress well, when actually she looks quite cute in a preppy schoolgirl way. When it's decided she needs a makeover in Episode 11, to showcase her bad fashion sense she's suddenly wearing a monochromatic pantsuit that was nothing like anything her character has ever worn before. Her dressing does get a bit worse in the second half of the season. Remember that owl sweater?
- The Second season opener finally has a dress that matches the description, it looks like something made for a doll.
- However, to some, she can look like someone who just got kicked out of an Enid Blyton illustration for looking too twee.
- Informed Judaism: Rachel’s an interesting case, as we know that she is Jewish because of mere hints in the series. Ironically, we know less about Rachel's Judaism than Puck's.
- The Ingenue: Rachel calls herself one. Frankly, she isn't.
- Intoxication Ensues: See Motor Mouth below.
- It's All About Me: Rachel has this bad. Whenever Mr. Schuester wants to have another student have the opportunity to sing a song that Rachel wants to sing so that everyone has a chance, she thinks of it as Mr. Schuester attempting to ruin her career. She's getting better than how she originally was.
- Jerk with a Heart of Gold
- Karma Houdini:
- She quits and is allowed back in time and time again due to her talent. After the first few times she storms out, everyone just stops caring since they know she'll come back. Some of the Glee members (notably Kurt) still resent her for it, though.
- The "Push It" performance was her doing and she stays in the Club.
- It was Will who took the bullet on both of those because it would allow the club to keep going.
- Finally subverted in "Bad Reputation" after she manipulates Jesse, Finn, and Puck to make herself look better and it backfires on her.
- And then in "Auditions", she goes and sends Sunshine to a crack house because she's jealous of her talent and worried about being supplanted as the best singer in Glee. Luckily, the rest of the kids are just as disgusted as they should be by her behavior.
- It seems that this is getting more and more subverted the later into the series, considering her Character Development.
- Once again, all of that character development seems to have vanished, considering that she's rewarded for choking on her NYADA audition twice, then stalking Carmen Thibideaux to give her another chance to sing with Carmen coming to Regionals and then accepting her to NYADA.
- Kick the Dog: Decides to get even with Finn for lying about sleeping with Santana by cheating on Finn with Puck.
- Kissing Under the Influence: With Blaine.
- Locked Out of the Loop:
Santana: Nobody tells you anything because A: you are a blabber mouth, and B: we all pretend to like you.
- Lonely At the Top: Rachel says this verbatim in one of her interior monologues in Episode 12 when Finn doesn't show up for the Glee Club yearbook photo.
- Love Makes You Crazy: More like Love Makes You Obsessive in the case with Rachel and Finn, to the point that he has admitted that he is slightly unnerved by her.
- Meaningful Name: Her fathers named her Rachel because they were huge fans of Friends. Considering her major character trait, this makes sense.
- Missing Mom: Initially. After season one, not so much.
- Motor Mouth: Particularly when she's gotten a good dose of "vitamin D".
- Must Make Amends: Seems to be a motivating factor for a number of her post-Heel Realization actions.
- Never My Fault
- Not So Different: It's surprising no one's pointed out that Rachel is exactly like the girls that bully her at school, especially after her treatment of Sunshine.
- She's gotten considerably nicer to Kurt, exemplified in "Duets", when she sympathizes with him about how hard it must be to be such an outcast. Being raised by a gay couple seems to have made her a little more aware of certain issues Kurt faces than the others are.
- Than she metaphorically shits all over their friendship in "Asian F".
- Official Couple: As of “Journey” the relationship between Finn and Rachel has become this. They break up in "Special Education" but get back together in "New York."
- Operation: Jealousy: In "Mash-Up," Rachel admits that she began to date Puck because she thought it would make Finn jealous. It sort of worked, if Finn's face is anything to go by when Puck sings "Sweet Caroline" to Rachel.
- It works even better in "Special Education" when Rachel confesses to making out with Puck to get back at Finn for sleeping with Santana. Unfortunately, it works too well - Finn breaks up with her because she cheated on him. They weren't together when he slept with Santana.
- What makes this even worse is that, not only were they not together when Finn slept with Santana, but Rachel was dating Jesse at the time - and she'd lied to Finn by saying she had slept with Jesse, which is, admittedly, a much more hurtful lie.
- And then again in "The Sue Sylvester Shuffle" when she sings "Need You Now" with Puck.
- You're forgetting that Rachel admitted to Finn that she never slept with Jesse, and says that she's glad that she didn't because now they can save themselves for each other. Finn then fails to tell her that he had already slept with Santana. Rachel's under the impression that they're eventually going to give their virginities to each other, and Finn does nothing to contradict her assumption. Then Rachel ends up hearing about Finn's night with Santana from someone else. She didn't make out with Puck because Finn slept with Santana, but because Finn lied about sleeping with Santana.
- It works even better in "Special Education" when Rachel confesses to making out with Puck to get back at Finn for sleeping with Santana. Unfortunately, it works too well - Finn breaks up with her because she cheated on him. They weren't together when he slept with Santana.
- The Prima Donna
- Red Oni, Blue Oni: The red to Finn's blue.
- Screw This, I'm Outta Here: Rachel storms out of the glee club constantly. Artie lampshades it by saying the more she does it, the less impact it has. To the point where nobody really reacts when she walks back in, either.
- Seemingly-Wholesome Fifties Girl
- Shipper on Deck: If this line in Rumours is anything to go by, she's one for Kurt and Blaine.
Rachel (to Kurt): Sam's cute, but he's not worth losing Blaine over.
- She's also one for Sam and Quinn. Justified, however, because it would mean she could be with Finn again.
- Soapbox Sadie: Is she is supposed to be a mouthpiece for the writers or just a mouthpiece in general? Either way, her soapbox is the reason why she's an outcast.
- Squee: Does one when she and Kurt arrive on Broadway.
- Stalker with a Crush: She's certainly desperate enough to become this (and eventually she does for Will). That reputation precedes her: when Puck dreamt that Rachel climbed through his bedroom window, he knew it was a dream because she wouldn't be able to climb without shoes on, rather than thinking she would never do this in the first place.
- Star-Making Role: For Lea Michele.
- Sweater Girl: The show even Lampshades it.
Jacob: Let those sweater puppies out of their cashmere cage!
- Took a Level In Jerkass: Backpedals on all her Season 1 Character Development when she tricks Sunshine into going to a crackhouse, all because she fears she'll steal her thunder.
- Turn the Other Cheek: Does this quite a bit for Quinn.
- Unsympathetic Comedy Protagonist: Has her moments, depending on the tone of the episode, especially during the first season.
- What the Hell, Hero?: Tricking Sunshine into going to a crackhouse to audition, because she didn't want to risk another talented singer upstaging her. Nobody believed her bald-faced lie that it was for the good of the group.
- Woman Scorned: In "Hell-O", and boy does she do it well. Her rendition of "Gives You Hell" by the All American Rejects was stunning.
- Zettai Ryouiki
Finn Christopher Hudson
I came up with the best baby name of all time: Drizzle.
- Achilles in His Tent: Finn temporarily pulls this on “Sectionals” after learning that the father of Quinn’s baby is really Puck.
- Adorkable: He mixes up well-known idioms and shows signs of being Book Dumb, even being amazed that books could be rented out of a library. When he is confused or amazed about something mundane, he makes a wide-eyed confused expression like a deer caught in the headlights, and is also a clumsy dancer (he hits someone in the face once).
- All the Other Reindeer
- A Man Is Not a Virgin: Slightly subverted in "The Power of Madonna" where he loses his virginity to Santana, but feels "empty" afterwards.
- Bash Brothers: With Puck, cemented in "Funk".
- Be Careful What You Wish For: After being replaced as quarterback by Sam, he is spiteful and wishes he was the quarterback instead. Sam then dislocates his shoulder in a game, forcing Finn to play quarterback.
- Betty and Veronica: The Betty to both Puck’s and Jesse’s Veronica.
- Beware the Nice Ones: When Finn finally finds out who the father of Quinn's child is.
- Big Damn Heroes: In "Sectionals".
- Big Man on Campus: Prior to his joining of Glee, that is.
- Book Dumb: Finn is such a moron, but, damn it, he's so well-intentioned and nice.
- As an example, he believes that the moon and New York City are "like a hundred miles apart."
- Monteith has stated that "Finn is about as smart as rocks."
- Broken Pedestal: "Yes/No" absolutely shatters his perceptions of his father, after finding out that he died as a drug addict.
- Brown Eyes
- Cloudcuckoolander: Not as bad as Brittany, but it seems his default expression is a blank stare.
- Coming of Age Story: Much of Finn's role in the plot shows him gradually growing from a naive teenager into a confident adult. Although he hasn't quite come to terms with intelligence though.
- Concert Kiss: After "Pretending" in "New York" with Rachel, complete with Held Gaze. Subverted in that the audience isn't too pleased and barely claps, and Jesse, Blaine, and Santana all think that it was unprofessional and cost them a place at Nationals.
- Confused Eyebrow: He raises an eyebrow in confusion on things he doesn't understand. Which is often.
- Disappeared Dad: His father was killed in the Gulf War when he was a baby, meaning he never knew him at all, hence why he bonded with Burt so readily. Or at least, that's what Carole tells him.
- The Ditz: Common sense isn't one of his high points. Plus, he has a VERY limited vocabulary, although he makes up for it with more emotional savvy than you'd expect from a teenage boy.
- Easily Forgiven: For leading Rachel on to get her to rejoin the club. He got a What the Hell, Hero? for it, but it was quickly forgotten. Also, his earlier involvement in bullying Kurt. Also, outing Santana - she slapped him for it, but in the next episode Will called it "unprovoked," and Santana hugged Finn when he sang her a song.
- Follow in My Footsteps: In "Yes/No," he tells Will that he wants to join the army so he could be a good man like his father was. This backfires spectacularly.
- Freudian Excuse
- Girl-On-Girl Is Hot: The reason Finn wanted to go on a date with both Santana and Brittany in “Hell-O”.
- Green-Eyed Monster: Probably the reason he picked a fight with Jesse at prom when the latter was getting cozy with Rachel.
- Heroic BSOD: Finn has one of these when it's revealed to the entire school that Quinn is preggers, and blows straight out the other side when it's revealed that it's Puck's kid.
- He has another one in "The First Time" after the recruiter from Ohio State basically tells him his football career will end in high school.
- And another one in "Yes/No" when he finds out his father didn't die a war hero in Iraq, but a drug addict in Cincinnati.
- Hollywood Pudgy: Apparently, seeing him in his underwear is supposed to be a bad thing.
- Huge Guy, Tiny Girl: Finn's the Huge Guy to Rachel's Tiny Girl; a whole foot separates them.
- Hypocrite: Cheating is not okay if it's on him, but if it's with him or he's the one doing the cheating, by all means, go ahead.
- Informed Ability: While Finn's singing is decent, he has the weakest and most amateur voice of the male cast. This fits with his character, who is completely new to performing, but the script has the others treating him as if he's a better singer than all the other guys, most of whom are much more polished. Lately, though, it has been acknowledged In-Universe multiple times that he is not as good a performer as the rest of the club, something he's very aware of.
- Finn is, however, a good drummer and rather good at rapping, so he's not totally musically inept.
- Intoxication Ensues: The entire Glee Club does this to an extent while on Sudafed, but Finn is the most prominent.
- It's All About Me: He may not be as...vocal about it as Rachel, but Finn definitely has some of this going on. He gets stroppy when his sense of entitlement isn't indulged, rarely does anything for someone else unless it benefits him in some way too, and has serious trouble processing the fact that other people can have lives that don't revolve around him and agendas that don't put him first. Except with Santana, who spells it out in terms even Finn can't miss:
Santana: For me. It's win-win for me.
- Jizzed In The Hot Tub
- Kick the Dog: Although he had his reasons for being angry, calling Kurt faggy was still out of line.
- Though Santana was definitely asking for some form of retribution, outing her in the School Hallway is definitely not going to help Finn with his reputation of being a homophobe.
- I Want My Beloved to Be Happy: Breaks up with Rachel in "Goodbye", telling her that she can't let herself be held back trying to help him and Kurt achieve their dreams while delaying her own and making her get on a train to New York.
- Miss Conception: Finn believes until “Sectionals” that he is the father of Quinn’s baby even though he has never slept with her. Why does he believe this? Because in on one of his romantic encounters with Quinn, he prematurely ejaculated into a hot tub they were both in (and both wearing bathing suits).
- And then there's "Sexy", where he thinks cucumbers can give you AIDS.
- Mr. Fanservice: Let's see, he's tall, athletic, kind-hearted, endearingly dumb, can sing? Oh yeah.
- Nature Adores a Virgin: Semi-used in Power of Madonna. Following Sue's advice to start dating a younger man, Santana goes after Finn who is three days younger than her; she decides to take his virginity on Brittany's advice.
- Nice Guy: Surprisingly, Finn is exceptionally kind despite having stereotypical jock written all over him at first glance.
- Offhand Backhand: To Rachel in "Born This Way," somehow breaking her nose.
- Operation: Jealousy: Finn said yes to having sex with Santana in Power of Madonna not only because he's still a virgin, but also because he thought it would make Rachel jealous.
- Popular Is Dumb
- Pretty Fly for a White Guy: Justified; his rapping is arguably better than his singing.
- Puppy Dog Eyes: Probably the reason it's hard to stay mad at his character even when he's clearly being an ass.
- Rousing Speech: In “Sectionals". After New Directions has just learned that their songs have been stolen by their rivals, Finn states that even thought they might have been unprepared for this, what they have going for their side is that they believe in themselves.
- Red Oni, Blue Oni: The blue to both Rachel and Puck's red.
- Screw This, I'm Outta Here: Once when Ken Tanaka makes him, Puck, Mike, and Matt choose between glee club and football, and then when he finds out that Puck is the father of Quinn's baby.
- Sensitive Guy and Manly Man: Finn’s the Sensitive Guy to Puck’s Manly Man.
- Sex As a Rite of Passage: Skewered. He decides to lose his virginity to Santana in a ploy to make Rachel jealous and because she says he needs to, but he regrets it and admits it was a huge mistake.
- Sympathetic Adulterer: Before Quinn was revealed to be pregnant with Puck's child and claiming it was Finn's, Finn kissed Rachel (and vice versa after Quinn's confession). Granted, Quinn got a lot more criticism (both in-verse and and in the fandom) than Finn. Slightly justified in that Quinn having sex with Puck while dating Finn is worse than Finn just kissing Rachel while dating Quinn, but Finn did cheat on his girlfriend as well.
- Tall, Dark and Handsome
- "The Reason You Suck" Speech: Gets one from Santana with her attempt at an apology. He fires right back though and subsequently outs her to the public
- Too Dumb to Live:
- Several moments, most notably still believing that he got Quinn pregnant without intercourse and his apparently genuine belief that the other athletes are going to give him and Quinn slushies rather than throwing them at the pair.
- What about singing "You're Having my Baby" to Quinn's parents, knowing that she didn't want them to know she was pregnant?
- One word: Drizzle.
- Claims he wasn't at football practice because he had to take care of his mother after her prostate surgery.
- Believed Jesus was speaking to him through a grilled cheese sandwich, prayed to it, and got all butthurt when Emma pointed out how silly that was.
- Walking through the School's Hallway in nothing but his underwear to get over his self-confidence issues.
- His response to a blind item in the newspaper reading "Which prom queen candidate has been spending a lot of time in the closet lately?" is "That's ridiculous, Quinn's claustrophobic."
- Well...funds enough for half of one ticket to New York, as Schue points out in the episode...
- Prior to "Preggers", didn't know you could borrow books from the library.
- Verbal Tic: Finn frequently adds "you know?" at the end of his sentences.
- He also compulsively calls people "dude", which bites him in the ass when he uses it with Coach Beiste...
- Vocal Evolution: While he's still one of, if not the, weakest singer in the cast, he's steadily getting better.
- What the Hell, Hero?:
- In "Theatricality", Burt Hummel delivers a much-needed verbal smackdown to Finn after he overhears Finn calling Kurt "faggy". Granted, Kurt wouldn't stop trying to seduce him and never accepted that Finn wasn't interested, but it was still a dickish move on Finn's part.
- Gets another one in "Furt" when he doesn't stand up to Karofsky for Kurt.
- In "The First Time" Cooks Rachel meat after knowing that she's been a vegan for at least three years, also makes her cake, most likely with eggs in it. Doesn't fess up when Rachel remarks that the meat "substitute" tastes like real meat
- In "Mash Off" He tells Santana to come out of the closet in the middle of the hallway which is overheard by a congressional candidate's niece and leads to her being outed to the whole state in smear campaign against Sue
- Though not completely unjustified because she had been bullying him throughout the episode
Kurt Elizabeth Hummel
They're gonna throw fruit at us. And I JUST had a facial.
- Accidental Athlete: Kurt turns out to be a surprisingly good kicker for the football team as long as he does the "Single Ladies" dance beforehand.
- All Gays Love Theater
- All the Other Reindeer: In his own words, he's the only openly gay kid in his school. It comes with the territory.
- Awesome Moment of Crowning: Double subverted when it is revealed that he's been elected Prom Queen. It starts out as heartwrenching, but then moves back into awesome territory after he accepts it with pride.
Kurt: Eat your heart out, Kate Middleton.
- Author Avatar
- Because You Were Nice to Me: Essentially what sparked Kurt's attraction to Finn. Sure, he didn't do much about anything after that, but one time, Finn reprimanded Puck for pushing Kurt.
- Berserk Button: It took a lot for Kurt to get enraged at the bullying he was receiving. On the other hand he flies into an instant fury when his friends (Tina, then Blaine) are abused.
- The Big Damn Kiss: WITH BLAINE! It's definitely treated like one in real life, and for good reason.
- Bishonen: Fulfills pretty much every criterion on that page to a T, down to the female-sounding voice, gender norm-busting, and adolescent appearance. Only thing he's missing is the sparkles.
- For a more specific rundown of the list: Ambiguously feminine physical traits? Check. Tall(ish), lightly-muscled but slender build without facial hair? Check. Big eyes often brimming with anguish? Check. Youthful appearance and crossing of sexuality and gender boundaries? Check. Feminine voice? Check. Adolescently attractive? Check. No wonder he's so popular with the Fangirls.
- Body Motifs: Hands are given repeated emphasis in Kurt's storylines, from wanting to hold his father's hand when he's comatose from a heart attack to considering the touch of fingertips the height of intimacy to the numerous close-up shots of him and Blaine holding hands post-Relationship Upgrade.
- Bow Ties Are Cool: They're not the only sort of tie he wears, but he wears a lot of them, and many of them are very cool indeed (steampunk clockfaces, anyone?).
- Breakout Character: He got much more screen time in the "back nine" after the showrunners saw fan reactions to his character and has taken a starring role in season 2.
- Brutal Honesty: Seems the only mode of communication he's comfortable with. Also why he gets some of the best lines.
- BSOD Song: "Rose's Turn".
- Camp Gay: Can't be thrown into a dumpster because he's wearing the Marc Jacobs fall collection. He came out of the Transparent Closet in Episode 3. It's interesting that his audition piece is "Mister Cellophane".
- Catch Phrase: "Mr. Schue, if I may?"
- Closet Key: To Karofsky. The title is neither expected nor appreciated.
- Character Development: In season 1, he's catty and standoffish to all but a few, very insecure about his sexuality, and prone to manipulative scheming. Since he isn't actually good as scheming - it all comes back to bite him - he stops doing it, and in season 2 he's more comfortable with himself, rather less haughty, and better at stating his feelings honestly. Unfortunately, he's brutally harassed for the first half of season 2, so he's also short-tempered, irritable, and miserable. But, what with the whole Glee club rallying around him, and his romance with Blaine, he comes out happier overall. As of late season 2, he's firm friends with people who used to bully him, and smiles more often than not.
- The Confidant: Becomes this for Sam in 2x19 'Rumours' after learning by accident that Sam's family has lost their house and is living out of a motel room and a car. He helps Sam out by giving him some spare clothesand keeps the secret even under considerable duress when the WHMS rumor mill starts churning.
- Cool Car: Has one in "Acafellas". His dad takes it away at the end of the episode.
- Dawson Casting: Slightly averted. Actor Chris Colfer is the youngest of the original cast, and was only a few weeks out of high school himself when he was cast, but even he turned 20 during the first season.
- Deadpan Snarker: Especially towards Rachel.
- Defrosting Ice Queen: He starts out as a haughty Deadpan Snarker, but it's a front - he just has to really trust you (or be taken off-guard) before he'll drop it.
- Chris Colfer has actually said that Kurt's "I'm better than you" persona is really a cover for his insecurity.
- Ditzy Genius: He is very intelligent and a fluent French speaker, but prone to moments of ditziness, such as his belief boxes have four sides or his plan to feed the doves at Burt and Carole's wedding glitter.
- "I'm not a box. There are more than four sides to me" was more of an angry, spontaneous retort to Mr. Schuester, than an actual belief (like feeding doves glitter).
- Dressed in Layers: His NYADA audition in 3x18, in which he starts out in a cape, tux and mask for 'Music of the Night' and then, on confirming that his auditor will be bored brainless by hearing that song for the millionth time, launches into 'Not the Boy Next Door' from The Boy From Oz instead...and on the line 'Underneath there is somebody new' rips away the tux to reveal a black blouse and skintight gold jeans.
- Dude Looks Like a Lady: Emma describes him as looking like an eleven year-old milkmaid, and one of Sue's nicknames for him is "Ladyface". Also has a tendency to show up in women's clothing, including skirts - and not look too bad in them.
Tina: Is that a woman's sweater?
- Easily Forgiven: Screwing with Rachel to get her to blow her chance with Finn because he's in love with him too. Finn apologizes to Kurt for using homophobic language. Kurt has yet to make apologies for sexual harassment, or for contributing to Finn's BSOD. Burt most likely forgave Finn off-screen, as he was acting on impulse when he overheard their argument.
- Giving up his duet with Sam in 2x04 can be read as a tacit apology - for the things Finn actually merited an apology for, at least, not the overblown, offensive and actively harmful garbage Finn spewed at him in that episode.
- Fan Community Nickname: Kurt fans refer to themselves as "Kurtsies", a term coined by Chris Colfer himself.
- Fandom tends to call Kurt "Dolphin," due to Brittany's "dolphins are just gay sharks" line.
- The Fashionista: Lampshaded all the time. See also Unlimited Wardrobe.
Kurt: I'm so depressed I've worn the same outfit twice this week.
- Feminine Women Can Cook: Kurt is the only boy in the Home Ec class.
- Flying Under the Gaydar: Twice, once in 01x04 (trying to explain to his father why he was dancing to Beyoncé) and again in 01x18 (trying to win his dad back from Finn by being the son he thinks his father always wanted). Subverted on both occasions as his dad knows exactly what's going on.
- Foregone Conclusion: It was never a question of if Kurt would return from Dalton, it was a matter of when. He finally does in "Born This Way".
- Freudian Slip: In "Prom Queen:"
Kurt: Go with God, Satan. [handwaves] Santana.
- Graceful Loser: In season 3, he's really upset to lose out on the lead role in West Side Story and the class presidential race, but warmly congratulates the people who won.
- Grease Monkey: It’s implied that for all his Camp Gay mannerisms, Kurt is actually both knowledgeable about and comfortable around cars, being the son of a mechanic, to the point that both father and son work on a car in “Wheels”.
- Have You Tried Not Being a Monster?: Subverted. Kurt's ill-fated attempt at acting straight and dating Brittany essentially served to poke holes in the tired and logically-flawed "How do you know you're gay if you've never been with the opposite sex?" argument. Burt claims he's known Kurt was gay since age three, when all he wanted for his birthday was "a pair of sensible heels".
- He Is Not My Boyfriend: Insists (accurately, as of 2x10) that Blaine is not his boyfriend, though he is willing to admit to Mr Schue that he is attracted to Blaine. In 2x16 they get together for real.
- He Is All Grown Up: Chris Colfer was an adorable baby penguin for the first thirteen episodes. The point at which you realized what a fine young man he'd turned into varies from fan to fan. Power of Madonna? Never Been Kissed?
- He's Back: As of "Born this Way", Kurt Hummel is back at McKinley. In a top hat, no less.
- Hidden Depths: Fashionable queeny soprano ... who enjoyed playing football, has read Sun Tzu, knows his way around the inside of a car, and is seriously smart.
- And whose actor, from all reports, has one HELL of a talent with a set of sai!
- Hypocritical Heartwarming: In “Funk”, after learning about what Vocal Adrenaline did to Rachel, Kurt declares, "Mr. Schue, Rachel is one of us. We're the only ones who get to humiliate her."
- I Just Want to Be Loved: The explanation for his schemes, basically comes out and says it in "Duets". See also Love Makes You Crazy.
- Incompatible Orientation: Mercedes and Brittany wanting to date Kurt, and Kurt wanting to date Finn and Sam.
- It's All About Me: He has some of this going for him, though he's getting better - see 3x03, where he brings Blaine flowers to congratulate him on getting the part Kurt had desperately wanted.
- "I Want" Song: Kurt’s rendition of "Rose’s Turn" in 1x18 fits under this.
- Jerkass Facade: Heavily implied. Especially proven in Duets, when he almost cries after Rachel says to him that there are twelve people in Glee Club who loves him just the way he is and that although he's lonely, he is not alone.
- Lampshade Hanging: Semi-in-universe example: Chris Colfer's poem at the final Glee Live show in Dublin, delivered in-character as Kurt, lampshades practically every major statement critics have made about him.
Kurt: I swear to God, I'm gonna punch the next person who calls me a stereotype.
- Like Parent, Like Spouse: It's not a nice thought, but Finn does have noticeable similarities in personality and interests to Kurt's father, as evidenced by how well they get along at the end of "Home".
- Increasingly averted in Season Two, as Blaine has little in common with Burt besides liking college football. It seems the only real characteristic Kurt's love interests need to share with his father are kindness and genuine acceptance.
- Love Makes You Crazy: Hoo boy.
- Magical Queer: Subverted. Sure, Kurt seems like the helpful gay pal, giving our hetero hero and heroine relationship advice and even an attention-drawing makeover, but the only attention the 'makeover' was designed to draw was looks of horror from Finn and the 'advice' was tailored to try and turn Finn off women completely and become more receptive to a, shall we say, Grecian style of romance.
- Manic Pixie Dream Boy: To Blaine, most notably in the skits of the Glee Live tour. Between the bouncing and the posing and the squeeing, he comes off as a cross between this and Draco Malfoy.
- Man in a Kilt: His prom outfit.
- Manipulative Bastard: He's not exactly Princess Azula or even Princess Diana in terms of effectiveness and subtlety, but see Magical Queer above and Stalker With A Crush below for some of the head games he's pulled.
- Missing Mom
- Mistaken for Cheating: With Sam in "Rumours."
- Moe: Extremely, and his enormous Puppy Dog Eyes don't hurt. Though depending on the episode he sometimes enters "Moe Blob" territory.
- Nice Hat: He has a penchant for interesting headgear choices, such as fedoras and Banzai bandannas, and in the season 1 finale, a sailor hat. A little unexpected since boys are normally not allowed to wear hats in school. In "Grilled Cheesus", he goes to Mercedes' church when she says he can wear one.
Kurt: Oh Mercedes, you had me at "fabulous hat."
- New Transfer Student: He stays in Dalton from "Furt" all the way to "Born This Way."
- Not So Different: Blaine points out that Kurt's biphobia makes him similar to Karofsky in his bigotry.
- N-Word Privileges: Does not like being called "lady" or anything similar, unless it's himself or a close friend: e.g. Kurt's "I bring a glass of warm milk to Finn every night just so that we can have a little lady-chat" in "Sue Sylvester Shuffle", and Rachel's "Ladies, we have a problem" to Kurt and Mercedes in "Audition", which he rolls his eyes indignantly at (remember that at the time, Rachel and Kurt had yet to really become friends).
- Odd Friendship:
- As of “Journey” Kurt and Quinn seem to have started this, possibly thanks to the fact that they both have a close mutual friend, Mercedes.
- Another one is Kurt and Brittany (before she "dated" him), hanging out with him and doing the "Single Ladies" dance despite being a Cheerio and Kurt being in Glee.
- He and Rachel seem to be heading in this direction as well. Although their friendship is only odd in the context of the show, where they hated each other for a long time. Otherwise, it makes sense for them to be friends: they have the most similar taste in music, and as the daughter of gay parents, Rachel can probably understand Kurt's situation a little better than their other classmates can. Cemented in "Born This Way" with the Flashmob scene.
- Platonic Life Partners: His friendship with Mercedes, which is one of the most heartwarming things about the show.
- Puppy Dog Eyes: Possibly even worse than Finn's, they're huge and blue and possibly the primary reason you love him even when you want to slap him. For an excellent example, just watch him persuading Ms. Holliday to teach Glee club in "Substitute".
- Real Men Wear Pink: Reversed. he's the Camp Gay who plays football and fixes cars.
- Red Oni, Blue Oni: In Season 2 Kurt was the red to Blaine's blue. However in Season 3 onwards he becomes the blue while Blaine becomes the red.
- Relationship Upgrade: With Blaine as of "Original Song", And The Fangirls Rejoiced, and Squeed.
- Sensitive Guy and Manly Man: The sensitive guy to Blaine's manly man
- Scully Box: Inverted. Chris Colfer had a growth spurt during the first season and is rather tall as a result, but camera tricks are frequently employed so that Kurt doesn't look taller than Blaine or Karofsky (notice how he rarely stands side-by-side with another guy).
- Spoiled Sweet: Sure, he has his dad wrapped around his little finger... but said dad otherwise works hard to keep him down-to-earth, and despite Kurt's immense capacity for cattiness, he's never approached the kind of casual cruelty that character like Quinn, Santana or Puck find normal.
- Stalker with a Crush: Even though his love for Finn was doomed from the start, it hasn't stopped him from doing some rather creepy things in an effort to get close to him. Some of his schemes include manipulating Finn into exposing Quinn's pregnancy to her parents, tricking Rachel into dressing like a "sad clown hooker", and setting up his dad with Finn's mom with the goal that they'll combine households so he and Finn can share a bedroom.
- Star-Making Role: Glee catapulted the completely unknown Colfer into the national spotlight, giving him a Golden Globe for Best Supporting Actor within eighteen months of his professional acting debut. Not bad.
- Stuffed Into a Trashcan: Tossed into dumpsters all the time in the first season.
- Suspiciously Specific Denial: He certainly did not steal Sue's "Physical" video from her locked file cabinet when she sent him to get her hormone injection before Cheerios practice.
- Taking the Bullet: In the first season, Finn rejoins the football team and in order to prove his loyalty to them, is told he must give a slushie facial to either Kurt or one of his friends. He's hesitating because he "knows how particular Kurt is about what products go on his face." Kurt's response is to grab the Slushie out of Finn's hand and splash on his own face:
Kurt: That's called taking one for the team. Would any of your football buddies do that for you?
- Transparent Closet: But as far as Mercedes is concerned, it may as well have been made of lead until he comes out to her. He has also mentioned he has only come out to her and his father. In "Laryngitis," pretty much no one is fooled by his "straight boy" charade except the dim-witted Brittany, who takes it as an opportunity to add him to her list of boys she's kissed.
- Uke: Not a clear-cut example, but he's more this than The Twink, especially in his scenes with Blaine where aspects of the trope are intentionally played up. In contrast to the most standard manifestations however, it's Kurt who's pursuing Blaine rather than the other way around.
- Unlimited Wardrobe: Burt can apparently afford to buy all his son's designer clothes. Mechanics make decent money, and that's when they don't own their own store like Burt does--the Hummels aren't hurting for money.
- It's actually stated in supplemental materials (like the season 1 volume 2 DVD) that Kurt doesn't wear designer clothes, but rather sews and tailors his own hand-me-downs and thrift store pieces to resemble designer outfits.
- This is confirmed in "Prom Queen" when Kurt states that he made his (extremely professional-looking) prom outfit himself. In order to make that outfit to that standard, he'd have to have had a lot of practice on other garments.
- Viewer Gender Confusion: In-universe. Emma also said that he looked like an eleven-year old Milkmaid, and Sam mistook Kurt's voice for Faith Hill's.
- Virginity Makes You Stupid: Discussed in 2x15. Kurt pretty much doesn't want to know about sex, preferring to romanticize it completely. This is rather justified by the fact that he's always been discouraged from acting on his feelings for other boys, but Blaine worries that with this attitude, Kurt's first time will end up being the exact "lecherous predator seduces helpless naif" scenario that is a staple of this trope. Still, it's worth it for Kurt's thoughts on gay porn:
Kurt: I've tried watching those movies, but I just get horribly depressed because they were all kids once and they all had mothers and what would their mothers say? And why would you get a tattoo there?
- What the Hell, Hero?: In the second season, Kurt gets called out by his father for his inappropriate behavior towards Finn.
- Also when he openly states his belief that there are no such thing as Bisexuals. This promptly gets him called out by everyone for the fact that he often plays the "Homophobia-Card", yet seems to think he is allowed to get away with biphobic comments. Blaine even compares him to Karofsky and his bigotry.
- Wimpification: Interesting semi-in universe example. Several of the images in this article from Entertainment Weekly portray Kurt as looking rather demure towards and much shorter than Blaine. However, Kurt is much more acerbic on the actual show, and Chris Colfer is significantly taller than Darren Criss in real life.
Oh, hell to the nah! Look, I'm not down with this background singing nonsense!, I'm Beyoncé, I ain't no Kelly Rowland!
A brassy, Sassy Black Girl in the Glee club. It appears her main job is to soulfully belt out in the last twenty seconds of the group numbers. Her strong voice and diva tendencies sometimes put her at odds with Rachel, especially since the latter gets more leads. Played by Amber Riley.
- Betty and Veronica: She could be considered the Betty to Santana’s Veronica in their competition for Puck.
- Beware the Nice Ones: Mercedes is a loyal friend to Kurt, and has Quinn stay with her when pregnant, but when Kurt said he didn't want to date her, she smashed his car's windshield.
- Big Eater: Becomes this in "The Substitute."
- Big Beautiful Woman: Her performance of "Sweet Transvestite" finally shows off her sexy side.
- Brilliant but Lazy: Touched upon near the end of season 2 and brought to a head in season 3. She has an excellent voice, and many people have said she's as good as, if not better than, Rachel (including Rachel). However, she rarely practices and is often late to rehearsals, fakes stomach pains, shows less comraderie, and still feels entitled for lead roles solely on her talent. By "Asian F" she quits the Glee Club and joins Shelby's group out of anger and spite.
- Catch Phrase: "Hell to the no!" In "Original Song," she writes a song about it.
- Deadpan Snarker
- Easily Forgiven: Mercedes throws a brick through the windshield of Kurt's new car. It does provide the dramatic impetus for her to sing an awesome rendition of "Bust Your Windows", though.
- Face Heel Turn: In "Asian F". Her bad attitude towards Mr. Schuester and the rest of the club, along with her rage at not getting Maria in West Side Story, cause her to quit and join Shelby's new club.
- Fag Hag: For Kurt, as lampshaded by Sue: "Future center square Kurt Hummel and his brassy hag, Mercedes."
- The Fashionista: Not as much as Kurt, but she has some level of it.
- Foe Yay: With Santana in "Duets."
- Green-Eyed Monster: She is very envious of all the attention the club gives Rachel.
- Ham-to-Ham Combat: Her "diva-off" with Rachel could be considered this.
- Hard Work Hardly Works: Most of the time. This is shown to be a problem in Season 3, though.
- Huge Guy, Tiny Girl: With Shane in season three.
- I Just Want to Be Loved: The main reason she believed Kurt liked her, and why she dated Puck. She cites this as her reason for not going to prom because she's dateless, too.
- Incompatible Orientation: Mercedes and Kurt.
- Imagined Innuendo: Mercedes suspects that Kurt is gay...at least until the cheerleaders tell her he likes her. Then she interprets every time they hang out as a date. Unfortunately, her first instincts were correct.
- Les Yay: With Quinn, to the point where Mercedes invites her to live with her. Not to mention that when Quinn goes into labour in "Journey," she wants Mercedes in the room with her.
- The aforementioned Diva-off with Rachel can come across as this, especially when you remember that the original version of the song is about a lesbian couple arguing.
- Like Brother and Sister: Mercedes and Kurt have this kind of friendship, as they are extremely close and one of the show's most heartwarming friendships.
- Looking for Love In All the Wrong Places: First Kurt, then Puck.
- Love Makes You Dumb: She gets a big crush on Kurt, which makes her oblivious to his obvious homosexuality until he spells it out for her.
- Meat-O-Vision: Mercedes suffers from this in “Home.”
- Nice Job Breaking It, Hero: As awesome as her performance of "Beautiful" was, it caused a journalist to scrap his expose on Sue as a total bitch and heap undeserved praises on her instead.
- Odd Friendship: With Quinn, who even requests that Mercedes be in the room with her while she's giving birth.
- Pair the Spares: As of "New York," with Sam, who gives her a hug after "Light Up the World" and is seen going with her on a date at the Lima Bean later, despite the fact that they previously hadn't interacted much before "Prom Queen." Their relationship is fleshed out more in Season 3.
- Platonic Life Partners: Her friendship with Kurt.
- The Prima Donna: Flanderized in "Night of Neglect", but in general, she is a diva and proud of it.
- Sassy Black Woman: As mentioned above.
- Sesquipedalian Smith
- Staying with Friends: In “Funk,” Mercedes offers to let Quinn stay at her house as long as she needs to after Quinn's father had coldly kicked her out.
- Technician vs. Performer: The Performer to Rachel's Technician; Mercedes relies on a boatload of natural talent and not so much on rehearsal.
- "The Reason You Suck" Speech: Gives one to Rachel in "Asian F", which has been a long time in coming.
- Token Minority: She seems to be a walking stereotype, despite her saying being a proud black woman isn't all she is. Although the back nine gave her a bit of character development with some I Just Want to Be Loved story lines.
- Token Shipping: With Shane.
Arthur "Artie" Abrams
But I wanna be very clear, I still have the use of my penis.
A wheelchair-using member of New Directions. Is also in the Jazz Band and plays electric guitar. He was dating Tina, but she dumped him for Mike over the summer, causing Artie to get together with Brittany until they break up in "Rumours". Played by Kevin McHale.
- Adorkable: Fits Artie to a T.
- Aint No Rule: Against him joining the football team (there actually would be, but this is a comedy).
- Alliterative Name
- A Man Is Not a Virgin: Subverted in season one, though he would like you to know he has the full use of his penis.
- And heartbreakingly played straight in "Duets," when he loses his virginity to Brittany and is devastated because it meant nothing to her and everything to him.
- Badass Boast: "We're planning on smacking them down like the hand of God."
- Beta Couple:
- Arguable, but the Artie/Tina coupling could be considered the Beta Couple for Finn/Rachel, Quinn/Puck and Will/Emma and there is no doubt that, in comparison, they are a far more stable couple.
- Kevin McHale compares Artie and Tina to Corey and Topanga from Boy Meets World saying that although they have their ups and their downs they will always be together. (Doesn't seem to be the case in Season 2, though.)
- Bi the Way: While not official yet, a lot of his comments in season three seem to be pointing to this.
- 3.01 -- "So handsome!" 3.02 -- his reaction to Blaine's audition. 3.12 -- "Cutest. Smile. Ever."
- Big Damn Heroes: In "Brittany/Britney" Artie parks himself between Finn and Karofsky and Azimio to stop a fight that could leave Finn both hurt and in serious trouble at school.
- Brutal Honesty: "Well, you're irritating most of the time, but don't take that personally."
- Deadpan Snarker
- Disabled Snarker
- Girl-On-Girl Is Hot: Subverted - when Artie finds out that Brittany has been cheating on him with Santana throughout their relationship, he is genuinely bothered by it. It results in them breaking up after he calls Brittany "stupid" for letting Santana manipulate her.
- Handicapped Badass: While his disability doesn't hinder his singing talent, Artie still fits this to a T.
- Hidden Depths: A seemingly pathetic, wheelchair-bound nerd... who plays guitar, sings, dances, raps (pretty damn well too) and engages in Def Poetry. And he still has full use of his penis.
- Hollywood Nerd: All of the gleeks but Artie in particular.
- I Can't Believe A Girl Like You Would Notice Me: With Brittany.
- I Just Want to Be Normal: Part of the reason Artie is so doggone nice to everyone, he has a hard enough time trying to get people to see past the chair.
- Life Imitates Art: Not confirmed as yet, but the evidence for Kevin McHale and Jenna Ushkowitz (Tina) dating in real-life is mounting, enough to make "McHalowitz" itself a ship in the Glee fandom.
- Limited Wardrobe: Played with, although he doesn't wear the same thing twice Artie almost always wears a button-up shirt, sweater or sweater vest and converse sneakers. Aside from various costumes for glee club I can't think of any time he's worn anything different.
- Nerds Are Sexy: The fans agree with Tina that Artie is just too cute for words.
- Nice Shoes: As mentioned under Limited Wardrobe Artie has a serious thing for Converse sneakers, despite not being able to walk the show somehow still manages to focus on them.
- Odd Friendship: Artie and Rachel seem to have developed a subtle one, despite Rachel not believing in Artie and Artie flat-out disdaining Rachel's drama queen moments.
- And now it seems he's forming one with Finn. It seems like Artie is taking Puck's place as Finn's best friend, since Puck's actions last season have obviously distanced the two.
- And now he's struck up another one with Puck! Artie is really picking some odd matchups for friends.
- Let's just cut to the chase, Artie and everyone. He's like the Wolverine of Glee in that all of his friendships are a little odd.
- Only Sane Man: Among the members of the Glee club, he is often the most down to earth and by far the least dramatic. This, combined with his often subtly sarcastic dialogue, makes him the best candidate among the group for the title.
- Operation: Jealousy: Initially hangs around Brittany to make Tina jealous after she dumped him for Mike. They soon become an actual couple after the fact that they actually do like each other and aren't in it to make their ex-girlfriends jealous comes to light.
- Pair the Spares: With both Tina and Brittany.
- Pretty Fly for a White Guy:
- Averted. Artie actually is pretty fly. (The best example so far is his part in the glee club's performance of "Push It").
- His performance of "Can't Touch This" is possibly better than Hammer's.
- Not to mention "The Safety Dance" in 1x19.
- In "Throwdown," as the minority students are leaving the room after a whole group performance, Artie says "Bye, white people!"
- Poke the Poodle: Artie spikes the punch bowl at the prom...with lemonade.
- The Rival: Played for Laughs, but just see the interaction between Sebastian and Artie in “Michael”, especially in Bad and later in Black And White. It reeks of two rival gang leaders trying to best each other
- Serenade Your Lover: After Brittany breaks up with him, he brings the rest of the straight guys in New Directions to her home economics class and sings Stevie Wonder's "Isn't She Lovely" to her. (The Cover Changes the Meaning is in play, of course)
- Sorry, Billy, But You Just Don't Have Legs: Artie's dream of becoming a dancer. And not a wheelchair dancer.
- Stuffed Into a Locker: Er... port-a-potty.
- Sweater Guy: Artie almost always wears a sweater or a sweater vest.
- Token Minority Couple: With Tina in Season 1.
- Took a Level In Jerkass: In Season 3 being a director goes seriously to his head.
- What the Hell, Hero?: Artie to Tina, after Tina reveals she faked her stutter. He gets his own when he calls Brittany stupid. Before that, he was the only one in the school who hadn't.
Even though I'm painfully shy and obsessed with death, I'm a really effervescent person.
A goth Asian member of the Glee Club who had initially faked a stutter to avoid having to sing. Was dating Artie but dumped him for Mike. Played by Jenna Ushkowitz.
- A Day in The Spotlight: Finally, in season 3, we get an episode that gives Tina an actual plot. And it's awesome.
- Advertised Extra: Much of the time. You can definitely tell that the writers progressively lost interest in the character the further into development and production the series got, especially when other popular characters started to emerge.
- Ambiguously Jewish: Tina might not be Ambiguously Jewish - the name might just be a tribute to the actress playing her, Jenna Ushkowitz, an Asian-American with a pretty Jewish-sounding last name. Then again, who knows?
- Beta Couple: In the first season, the Tina/Artie coupling could be considered the Beta Couple for Finn/Rachel, Quinn/Puck and Will/Emma and there is no doubt that, in comparison, they are a far more stable couple. In the second season, it's Mike/Tina that's the most stable couple in the series - they've been together for the entire second season, with their problems being quite minor in comparison to, say, Will/Emma or Finn/Rachel.
- Brown Eyes: It's revealed in "Born This Way" that she's rather insecure about them.
- Character Development: Very quietly, in the background of the series, Tina has shed much of her shyness, gained a voice and considerable (if sometimes slightly shaky) confidence, and turned into a very good dancer. It's even started to earn her actual plots.
- In fact, her whole history on the show was basically summarized during the beginning of season 3 episde 20 "Props," all of it ending it with, "Wasn't she the girl with the stutter?"
- Elegant Gothic Lolita: Especially in season 2.
- Foot Focus: In "Prom Queen" when the girls are showing Kurt their dresses for his approval she's the only one that's barefoot and shots of her a framed so at least one of her feet is in on-camera.
- The Heart: Established as this in "Props", though she doesn't accept it until the end of the episode.
- Multicolored Hair: She's often seen with streaks in her hair.
- Obfuscating Disability: Her stuttering was an act she originally developed to avoid having to do an oral presentation.
- One Steve Limit: Averted. She and Mike both have the last name "Chang" (hyphenated, in her case), with no indication they're related. Additionally, there's a Vocal Adrenaline member named Andrea "Cohen."
- Lampshaded in "Extraordinarily Merry Christmas," where the Star Wars-themed opening introduces them as "Mike Chang and Tina Cohen-Chang, no relation!"
- Perky Goth: Lampshaded in episode 20: "Even though I'm shy and obsessed with death I have a very effervescent personality!"
- Satellite Character: To the point where her boyfriend Mike, who literally started as an extra, ended up with more stories dedicated to him.
- Shrinking Violet: Initially.
- Single Woman Seeks Good Man: Tina’s romance with Artie, the most easygoing and one of the most good natured member of the Glee Club, might have some foundations in this. There's also the fact that after Artie started insulting her outfits, she dropped him for Mike Chang.
- Tall, Dark and Bishoujo
- Throwing Off the Disability: In "Wheels", Tina reveals to Artie that she's been faking her stutter to avoid people, and wants to stop. Artie takes it badly.
- Token Minority Couple: With Mike, which apparently blossomed when they were both counselors at "Asian camp." Also, it's lampshaded all the time.
Tina: Asian kiss?
- Tsundere: In season one, we saw mostly the dere-dere side, because Tina was so shy. In season two, we're getting more of the tsun-tsun. Poor Mike and Artie are not happy about it.
- Twofer Token Minority: She's Asian and Ambiguously Jewish to boot!
- Her having a stutter would have also qualified if she hadn't thrown it off halfway through Season 1.
- Unlimited Wardrobe: While her clothes might not be as stylish as Kurt's, sometimes they are just as elaborate.
- Zettai Ryouiki