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The 16th Discworld novel, and third in the Death theme: much more a sequel to the first Death book, Mort, than the second, Reaper Man.

There are two interconnected plots: in the first, the deaths of Mort and Ysabell in a car(t) crash cause another case of Death Takes a Holiday after a Heroic BSOD, leading to his "granddaughter" (Mort and Ysabell's daughter) Susan taking over The Duty, and incidentally becoming one of Disc fandom's favourite characters. She only met her grandfather once or twice as a young child, and afterwards was raised by her parents to take a very cold and rational view of things, which is not much of a survival trait on the Disc.

In the second, young Llamedosian musician Imp y Celyn comes to Ankh-Morpork to make his fortune and winds up becoming a musical sensation when he inadvertently invents the Discworld's equivalent of Rock Roll.

Unfortunately for the young "Musics With Rocks In" Star, supernatural forces have conspired that he should live fast...and die young. Can Susan fight fate and save his life?

Was made (along with Wyrd Sisters) into an Animated Adaptation. The L-space entry is here, and explains the numerous sly references to famous bands and songs. A fan-created expanded version is here and picks up the slack since the official annotated Pratchett file has not been updated for six years.

This novel's title is a pune, or play on words, on (of course) the kind of African-American music that arose in the '50s and '60s and enjoys a bizarrely high level of popularity in Britain today.


Soul Music provides examples of:

 "[Music With Rocks in It] made you want to kick down walls and ascend the sky on steps of fire. It made you want to pull all the switches and throw all the levers and stick your fingers in the electric socket of the Universe to see what happened next. It made you want to paint your bedroom wall black and cover it with posters."

  • Awesome but Impractical: Sort. At the rate at which the band are making him money, Cut-Me-Own-Throat Dibbler will be richer than his wildest dreams... in several billion years.
  • Bilingual Bonus: Imp y Celyn is Welsh for "Bud of the Holly". And if you haven't got it yet, don't translate the middle bit. His first song was called "Sioni Bod Da". "Bod Da" is Welsh again for "be good" (Johnny B. Goode).
  • Blinding Bangs: Skazz, wizard student.
  • Bus Crash: The death of Mort and Ysabell, the lead characters of Mort. It's handled relatively well for the standards of the trope, but still it can feel rather brutal.
    • It's actually an incredibly clever way to provide the major emotional underpinning of the story, which is about Death actually experiencing bereavement first-hand.
      • It also shows the amazing amount of character development Death has undergone since we first met him in The Colour of Magic. Some of the interplay between him and Susan as they both work their way through their grief is downright heartwrenching.
  • Call Back: One of the assassins sent to kill Imp and co. says that a troll can be killed by a strike to 'a little spot at the back of the neck'. This is how Rincewind (accidentally) killed a troll in The Colour of Magic?
    • When talking about the times a pocket full of decent spells and a well-charged staff got him out of trouble, the Archchancellor mentions "that dragon, you remember" which may refer to the dragon in Guards! Guards!
      • That seems to be the reference intended, but Ridcully hadn't actually come back to the University and become Archchancellor at the time of that book, so it may be a continuity error.
  • Canis Latinicus: The Animated Adaptation shows Ridcully performing the Rite of Ashkente on camera and invents ritual words of this type for it.
  • Creative Sterility: In a very clever use of the trope, this is how Death beats the Music at the end -- it's previously been established that he has no grasp of music despite trying to play the banjo and organ, and now it's explained why: since he's Death, the only chord he can play is the one that is the musical equivalent of mathematical zero, the 'empty chord' that will bring the whole rhythm of the universe to an end unless the Music revives Buddy to play on.
  • Dead Artists Are Better: The Music's view of things.

  You will live forever. They will say you never died.

  "mumblemumbledon'tseewhymumble," mumbled the Dean

  • Deus Exit Machina: Death. It doesn't take long for the story to resolve itself once he's done soul-searching.
  • Does This Remind You of Anything?: Buddy's behaviour when the Music takes him over is a lot like a musician on drugs.
  • Dreadful Musician: Crash, Noddy, Jimbo and Scum and their everchanging band names.
  • Early-Bird Cameo: We see Ponder and Adrian working on the early prototype of what will become the Magical Computer Hex in the next book, Interesting Times. It uses a small version of the stone circle computers seen in The Light Fantastic and also ants, as seen in later books ("it may work, if we can get all the bugs into it").
    • Cliff and Glod make a brief mention of a Golem called Dorfl. With an early Title Drop, too!
  • Ear Worm: The Music With Rock In isn't just addictive, it's contagious.
  • Elvish Presley: A recurring gag for Buddy.
  • Even Evil Has Standards: Satchelmouth, a Musicias' Guild enforcer, has done the finger foxtrot and the skull fandango, but is repelled by the idea of actually killing someone. At least, on purpose.
  • Fantasy Counterpart Culture: Llamedos is Wales turned up to the extreme. ("It has rain mines!")
  • Foreshadowing: Subtle enough that it's easy to miss. But asides early in the text talk about the Listening Monks, who have discerned what the words spoken by the Creator were just before he made the universe -- "One, Two, One Two Three Four..." --, which might appear to be just a thematic gag to go with the musical theme, save for the fact that Buddy's guitar has a single stroke of chalk on it. A single stroke, when every other musical instrument in the shop has a number on it, the order in which they were acquired...
  • Free Wheel: Lampshaded in the description of the crash that kills Susan's parents.

  Then the oil from the coach lamps ignites and there is a second explosion, out of which rolls -- because there are certain conventions, even in tragedy -- a burning wheel.

  • Genre Savvy: The Librarian quits the band the moment Dibbler gets involved.
    • Glod is too savvy to be fooled by UU students into calling the Librarian the M-word. He turns it around on them.
  • Great Balls of Fire: A wannabe Music With Rocks In star known as Crash tries to form a band with his friends, but one of their many problems is that Crash is more concerned with style over substance. This compounds their other major problem, which is the fact that they stink on ice.
  • The Grim Reaper: Naturally.
  • Groupie Brigade: Acknowledged. Glod worries if the crowd will tear off Buddy's clothes.
  • ISophagus: Mentioned. Some pennywhistle guy played without the Guild's consent. He now plays a scale every time he hiccups.
  • It Tastes Like Feet: Ridcully says that an electric guitar sounds exactly like a cat taking a crap with a sewn-up bum, to Ponder's much alarm.
  • Literal Minded: The Archchancellor doesn't understand the phrase "to kick some righteous ass" and wonders where he can find a donkey.
  • The Little Shop That Wasn't There Yesterday: A musical-themed version of the same type seen in The Light Fantastic.
  • Legion of Lost Souls: The Klatchian Foreign Legion.
  • Magical Computer and Magitek: We get our first glimpse of what will, in later books, become Hex.
  • Medieval Stasis: This is the last book to really use the plot that an alien element threatens to break the Disc's stasis but is then subject to Reset Button. Notably the Patrician mentions it in The Truth in a rare case of being Wrong Genre Savvy.
  • Mood Whiplash: The same page with a funny moment involving Glod and the band's FIVE THOUSAND D--mmfmmf leads into the spirit of Music making the final parallel between Buddy and real rockstars: Live Fast, Die Young.
  • Noodle Implements: "If you blow that, you'd better have a sacrificial virgin and a big cauldron of breadfruit and turtle meat standing by."
  • Noodle Incident: "The Unfortunate Incident At Dinner" that resulted in the Bursar of UU being provided wooden eating utensils instead of metal ones.
  • Only Sane Man: Ridcully and Ponder are the only ones of the wizards not affected by the Music. He is happy to find Susan.
  • The Pete Best: Some of the characters say that this will be the fate of the Librarian, who plays the piano with the Band for one gig before quitting.
  • Picked Last: Susan is always picked last despite her very patiently telling everyone what a great player she is and how much sense it would make for them to pick her (and actually being right) and how stupid they're being. She can't quite figure out why they don't catch on.
  • The Power of Rock: Of course.
  • Prophetic Names: Buddy, who, like his Roundworld namesake, lives fast, creates rock and roll, and dies young.
  • Rockers Smash Guitars: Noddy smashes his guitar on Scum. This is the only moment in their careers when any aspect of their performance wins the approval of an audience.
    • Death, of course, smashes the guitar at the end. While he can't actually play music on it, he does strike a very rocker-like pose before playing the "empty chord".
  • Sdrawkcab Name: Llamedos is a reference to Llarregub from Under Milk Wood -- Sod-'em-all and Bugger-all backwards respectively.
  • Shaped Like Itself: "You can't see the infinite. 'Cos it's infinite."
  • Shout-Out / Hurricane of Puns:
  • Soul Jar: Albert's hourglass/beer bottle.
  • Stealth Pun:
  • Sting: The raven tries to verbally invoke this trope when revealing to Susan that her grandfather is {Dah-dah-dah-DAH!) Death, but the Death of Rats keeps interrupting.
  • Sufficiently Analyzed Magic: The Rite of Ashkente, which in previous books was mentioned to have been refined through research to no longer needing a living sacrifice but only 3 bits of wood and 4 cc of mouse blood, has now been refined even further so Ridcully can do it with 2 bits of wood and an egg. "It has to be a fresh egg, though".
  • Suspiciously Specific Denial: While the wizards are discussing potential places to look at with a crystal ball:

 Senior Wrangler: How about the Skunk Club in Brewer Street?

Bursar: Why?

Senior Wrangler: Just a thought. I've never been in there at all in any way, you understand.

  • Troll Resources: Lias/Cliff pays most of the Band's expenses by knocking out and trading away his own diamond teeth (another Shout-Out: shine on, you crazy diamond....).
  • Unusually Uninteresting Sight: At one point, Dibbler is standing outside the Cavern, thinking of how to make profit out of the free concert. Up comes Susan, in full regalia, scythe and horse, and asks him how to get in. He says quickly that all the tickets are sold out. Susan, then, walks through a wall, while Dibbler calculates. It earns no more thought from him than a passing "...where's she gone, then?" And again, somebody breaks through a Wall in the service of Music....
  • Welcome to the Big City: As buskers do, Imp puts a few coins in his bowl as "seed money". The next time he looks down, they've gone.
  • What Happened to the Mouse?: The fate of Glod, Cliff and Asphalt is left even more ambiguous than that of Imp.
  • Xtreme Kool Letterz: A troll band calls itself "Trolls". Dibbler tells them to spell it with a Z.
  • You Cannot Kill an Idea: At the end, after Death has smashed the guitar:

 Somewhere, in some other world far away from the Discworld, someone tentatively picked up a musical instrument that echoed to the rhythm in their soul.

It will never die.

It's here to stay.

Notes

  1. Funnily enough, a bit later Susan's expectations of time travel are described as being very similar to a Sonic Rainboom.
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