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Well, in this case, she actually is.
While this character may look like a Damsel Scrappy at first glance, she's actually Obfuscating Stupidity. Whether she's pulling a Wounded Gazelle Gambit, playing Gambit Roulette, or just into this sort of thing, she doesn't get captured because she's weak, she gets captured because she wants to. She may even have the skills to get out of the scrape she's in herself if she wanted to. If this is the case, expect her to say Let's Get Dangerous at some point.
- Happened in Mobile Fighter G Gundam, with Tomboy Princess Maria Louise of France playing this role. It backfires SPECTACULARLY.
- Rukia Kuchiki in the Soul Society arc in Bleach. In this case, however, it's because she's suicidal, and wants to die to atone for killing her sub-captain and first (unrequited) love in self defence after he was possessed by a hollow. The fact circumstances have prevented her from regaining the power she lost in the first episode don't help.
- Orihime later tries to pull this in the Hueco Mundo arc, trying to act like she has joined the Arrancar to get an opportunity to reject the Hogyoku with her powers.
- In the first episode of Busou Renkin, Tokiko leaves herself wide open, leading Kazuki to think she is just an Innocent Bystander. Nope. sh'e an Alchemist Warrior, and she was leading the Monster of the Week into a trap.
- Surprisingly, Elizabeth Middleford from Black Butler. She was hated by a significant chunk of the fandom who see her as an annoying, genki Disposable Fiance, but it was revealed she acts the way she does because she was afraid that Ciel would see her as "uncute." (Fridge Brilliance, actually, considering how women were expected to act back then.) She's really a Little Miss Badass.
- OTOH, it could also be a deconstruction. Unlike most girls that fit this trope, Elizabeth does this for the sake of her beloved, and not because she simply likes being rescued. It also shows that Lizzie actually had to sacrifice a few things in order to maintain Ciel's pride; i.e., keeping her badassery at bay caused her emotional pain since she was deeply scared of being rejected if it ever came out, and not to mention there's the Values Dissonance coming from Victorian Britain.
- Eiko from Hajimete no Aku tries this trope out to gain fame and fortune. She just ends up scaring off the people who put her in distress on accident.
- It's implied in the Fatal Fury OAV's that Mai's Chickification is actually this. It's supported by her once off-handedly saying that she wants Andy's attention and to see him squirm after he ignores her one too many times, and especially by how she is able to VERY easily defeat Panni, the local Dark Action Girl, after Terry and Joe are incapacitated so she and Andy are forced to fight on their own to protect Sulia.
- In Ten Yori Mo Hoshi Yori Mo, Mio Mizumori deduces that a mysterious boy who protects her will only show up if she's in risk. So once she deliberately puts herself in danger to prove it, and when the guy shows up to rescue her, she even lampshades it.
- In Murder on the Leviathan, Renata Kleber gets into trouble on purpose in hopes of starting a Rescue Romance with the handsome protagonist, who seems to uphold chivalric values.
- In Twilight, Bella thinks that she can psychically connect with her ex-boyfriend Edward if she gets an adrenaline rush, and purposefully puts herself in near-death situations to bring them on.
- One of the parodies of it, New Moan, has Heffa (the parody of Bella) hoping Teddy (Edward) and Joe (Jacob) will fight over her, and tries to edge them into doing so.
- In The Light Fantastic, Cohen the Barbarian, Rincewind, and Twoflower interrupt a druidic sacrifice, in the process rescuing the maiden who was about to be sacrificed. Said maiden is extremely indignant about the rescue, protesting that if it weren't for them rescuing her she would be "having tea with the Moon Goddess by now" and that they'd just caused "eight years of staying in on Sunday nights" to go "down the drain".
- A common interpretation for Princess Peach.
- Alicia pulls this one off in Solatorobo. She even goes so far as to hire the Sky Pirates to kidnap her, all in the hopes that Waffle will come rescue her. Unfortunately for her, Red gets there before her intended man and Hilarity Ensues.
- Played with in The Legend of Zelda: Skyward Sword. Though Zelda herself certainly doesn't choose to be kidnapped, it's later revealed that her plight was part of a plan set in motion by her previous incarnation. In her past life as the goddess Hylia, she predicted that putting her human self in danger would be a surefire way to spur Link into action.
- Jessica in Umineko no Naku Koro ni. While she is an asthmatic Ill Girl, she more than once pretends to be more ill than she truly is.
- Zola Anya Talinka Venia Zeblinkya Malfeazium in Girl Genius have a mix of high-end Obfuscating Stupidity and being just one little step behind the developing situation—she may be ahead of most others, but never quite reaches the top perch.
- Mentioned in El Goonish Shive to parody the Damsel in Distress:
Grace:"[discussing why a video game princess keeps getting kidnapped] Oh, it's like foreplay to her. She's kind of evil that way."
- Gender Inverted in the ThunderCats (2011) episode "The Duelist and the Drifter" Adventure Towns resident and habitual Distressed Dude the Drifter gets snagged on high fences three times, each time enlisting protagonist Lion-O's help to get down. This would be innocuous but for the fact that the Drifter possesses Not Quite Flight, and readily exploits these encounters to offer Adventure Rebuffs and unsolicited, passive-aggressive advice on Lion-O's own increasing problems while elaborately feigning disinterest.
- A very mild version of this is when a woman will drop her handkerchief in hopes that the man in question will pick it up and return it to her, which I've Seen A Million Times.
- Played with in Monkey Business, where a woman drops a handkerchief in front of Zeppo, who pockets it and then drops one for her to pick up.