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  • Before making a single edit, Tropedia EXPECTS our site policy and manual of style to be followed. Failure to do so may result in deletion of contributions and blocks of users who refuse to learn to do so. Our policies can be reviewed here.
  • All images MUST now have proper attribution, those who neglect to assign at least the "fair use" licensing to an image may have it deleted. All new pages should use the preloadable templates feature on the edit page to add the appropriate basic page markup. Pages that don't do this will be subject to deletion, with or without explanation.
  • All new trope pages will be made with the "Trope Workshop" found on the "Troper Tools" menu and worked on until they have at least three examples. The Trope workshop specific templates can then be removed and it will be regarded as a regular trope page after being moved to the Main namespace. THIS SHOULD BE WORKING NOW, REPORT ANY ISSUES TO Janna2000, SelfCloak or RRabbit42. DON'T MAKE PAGES MANUALLY UNLESS A TEMPLATE IS BROKEN, AND REPORT IT THAT IS THE CASE. PAGES WILL BE DELETED OTHERWISE IF THEY ARE MISSING BASIC MARKUP.

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  • Alternative Character Interpretation: Most of the evidence of the Queen's treachery is offered in the last act of the play, a deathbed confession relayed by someone who previously in the show states hatred of the Queen.
  • Big Lipped Alligator Moment: Proof Shakespeare used every trope, just before the climax, Jupiter, the actual god Jupiter, flies down on an eagle and tells Posthumus' ancestors that he'll make sure nothing bad happens to Posthumus, then leaves again. Actually, that whole scene with Posthumus' relatives is kind of weird.
  • Ho Yay: Guiderius gets a number of lines to Imogen expressing his love (fraternal, as he always insists afterwards) for Fidele, the boy that Imogen is disguised as.
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  "Were you a woman, youth, I would woo hard to be your groom. I'd bid for you as I'd buy."

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