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One of the first choices any writer has to make is how many protagonists will lead the narrative. Believe it or not, that number matters. Too many, and you can barely get attached to anyone, just one and you'll never believe the author would kill them off.

So, which is the lucky number for Ensembles?

Let's start at one and work our way up. Lone protagonists are not some embryonic proto-cast that contains the traits of all Ensembles past and present, but rather has complete freedom to be whoever is needed for the story. Let's repeat that: lone. While a one man hero doesn't have to be an antisocial loner, they are very independent no matter what kind of character they are. Even the wimpy Action Survivor is at least able to survive. Interestingly, the best lone heroes make up for a lack of permanent cast with a varied supporting (though temporary) cast and (hopefully) some internal struggles to add depth. The Man vs. Man type of dramatic struggle is common for the lone hero. Needless to say they are also invariably The Hero (well, let's say protagonist to hedge our bets). Though it's kind of a "Duh" statement, read on.

  • Common genres or stories: These protagonist can be in any story and are unweighed by a large cast, and so they can be Walking the Earth as The Drifter. Even if sedentary, they'll likely play the lone Action Hero against overwhelming opposition. What you won't see is either the typical drama with lots of long term character interaction, or a "stable" environment, these heroes will live and work in flux.

From there the duos are an even split between two traits: Body and mind, and temperament. One will be The Big Guy to the other's smarts. And then you have one emotional character versus a colder one. The duo implies a certain level of equality; it's entirely possible for both to "share the billing" and be equal heroes. They'll likely be Heterosexual Life Partners, but if they happen to be different genders, it's practically a law there'll eventually be Unresolved Sexual Tension. If this sexual tension is resolved, then you have a Battle Couple (cue the shipping). Or for the more traditional dynamic, you have The Hero and their Sidekick or Love Interest. These duos are different in that the hero often serves as a mentor to the sidekick and protector to the Love Interest, though it's unlikely for the sidekick to graduate the role.

When you get to Power Trios the different splits get more interesting. The personalities divide into three, not so much dividing the Red and Blue oni as creating a "balance" personality wholecloth. Note that any of them can be the lead hero. The division between physical and mental doesn't get graded, but augmented with "social", a character who acts as a personable "face" for the group to balance the previous pair. If combat is involved, you get the Mighty Glacier, Jack of All Stats, and Fragile Speedster. Interestingly, from Trio on down you start seeing above archetypes merge into things like Genius Bruiser. It's worth noting that from here on out a girl being in the group gets logistically easier and much more common.

  • Common genres or stories: A trio is downright homey, and not in the sedentary sense. Three is the number where a family of friends can be born; characters can become True Companions. Even if they don't see each other as a family, the dynamics between them will give viewers a sort of "safety net". Past this size, even when the group's adventures lead to them traveling the world (or galaxy), they will tend to work out of a base (or Cool Ship) which often becomes something of a character in its own right. Trios work best in genres where there's room to interact both between each other and the environment, from here on down an ensemble can hypothetically devote an entire episode or chapter just to the cast interacting. These guys are likely to be in an Action Adventure or Drama. Or both!

The quartet is a challenge: just enough people for things to get convoluted, but not enough to lose track of anyone. The Four-Temperament Ensemble divides the Red and Blue Oni in half again: the Red Oni splits into sanguine and choleric, and the Blue Oni into melancholic and phlegmatic (or supine, alternatively). Or, viewed another way, the Kirk is choleric, and the detached nature of the Spock and the raw emotion of the McCoy split and combine into an introspective and spiritual temperament. Alternatively, the characters can be split into a Four Philosophy Ensemble in which the characters have different viewpoints and philosophies, rather than personalities, which interact as they face problems and have to reconcile their differences to come to agreement. The two can overlap, like so: a choleric Cynic, melancholic Apathetic, and either a sanguine Optimist and phlegmatic Realist, or supine Optimist and sanguine Realist. Either way, it is usually made up of a core Power Trio and one character to act as observer. Physically, the big-medium-fast division actually becomes big-medium-fast-smart (same as frail). Smart/frail characters are actually hearkening way back to the Duo's Smart Guy, adding a character who sacrifices muscle for mind.

  • Common genres or stories: Drama is the order of the day for the quartet, though not always among itself. A quartet is likely to 'split up' in a given episode, giving each a chance to play off not just each other but dealing with the various aspects of the plot and the week's guest characters.

The Five-Man Band, Six-Student Clique and The Magnificent Seven Samurai all vary some in their makeup, with each being "upgradeable" with Sixth Ranger. However; they all have the base Five-Man Band structure with one or more additions from the "auxiliary" list, like Plucky Comic Relief or Tagalong Kid, much like a core Three Plus Two cast of characters results in a Five-Man Band. Another one is that The Hero stops being a label and becomes a physically distinct character type that leads the ensemble's members. Four-Temperament becomes five, with a Supine and a Phlegmatic; Four Philosophy also comes with the Conflicted. Overlap in the case of five will most likely involve shifting -- either a supine Conflicted and phlegmatic Realist, or a melancholic Conflicted, shifting the Apathetic into phlegmatic. The personality and physical traits by this point can be pretty much mixed-and-matched without worrying about maintaining a "balance" in the cast. Five is also the most notable of all of them for two reasons - one, it's one of the Tropes of Legend, and two, it's the biggest ensemble you can have without things getting convoluted - in all types of ensemble, combat, role and temperament. In combat, it will probably be Black and White Magic, with a balanced character, and a "light" character (Fragile Speedster) and a "heavy" character (Mighty Glacier).

Beyond seven, there are no fast and loose rules for the cast as a whole. However, even with Loads and Loads of Characters, the cast members can be broken down into a Geodesic Cast or a set of Cast Herds, each iteration of which usually follows one of the archetypes listed above. Individual characters may belong to a single group only, or they may belong to several, with their role sometimes changing depending on which group they're interacting with.

See also How to Gather Characters.

Cast Members

Role

Emotional-Temperamental

Combat

Weapons

One The Hero The Drifter, Knight Errant One-Man Army Any weapon available
Two Brains and Brawn Red Oni, Blue Oni Bash Brothers Sword and Sorcerer
Three Beauty, Brains, and Brawn The Kirk, Spock, and McCoy Stone Wall (The Big Guy), Jack of All Stats (The Hero), and Glass Cannon-Fragile Speedster combo (The Lancer) Heroes Prefer Swords (The Hero), Luckily, My Shield Will Protect Me (The Big Guy), and Magic Wand (The Smart Guy)
Four Add "Leadership" Four-Temperament Ensemble Add The Engineer or Squishy Wizard (The Smart Guy) Add Blade on a Stick (The Lancer)
Five Add "Dissent" Divide Supine and Phlegmatic or add

Standardized Leader

Add The Medic (The Chick)

Add Simple Staff (The Chick)

Six Add either The Cutie, Nerd/Geek, or Cloudcuckoolander or Sixth Ranger Add Token Evil Teammate What varies from there and beyond are the types of weapons and magic/skills, since every number past five will invariably get convoluted The rules for Combat apply, probably with 10+ weapon types and no/loose rules for specific usage
Seven Comic Relief, Kid Hero, or The Stoic
Lots The Squad

See also:

There's also a set of the above for all girl casts:

And we also have an evil version of some of the above:

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